A Quote by Pat McGrath

Sometimes nothing happens at a show for the first two hours, and in the last hour, we have to do all 70 girls. It's an adrenaline rush. — © Pat McGrath
Sometimes nothing happens at a show for the first two hours, and in the last hour, we have to do all 70 girls. It's an adrenaline rush.
I'm not disciplined in terms of scheduling. I work best late at night, but I can't do that when I'm on a TV show - our hours are roughly 10-6:30, so I have to go to sleep at a reasonable hour. So I'll sometimes write fiction for an hour or two in the evenings, or several hours on the weekend afternoons - unless I'm actively writing a script for the show I'm working on, in which case there's no time to write fiction at all.
In the past it sometimes took me two or three rounds to get the adrenaline rush.
Many Formula One races last two hours, are really boring and nothing happens.
I know I'm really lucky to do what I do, but sometimes with the hours and the travelling, I don't get to see my family and friends as much as I'd like. It can be lonely on the road. Sometimes I come offstage after a massive adrenaline rush, and then when I go to an empty hotel room on my own, it can be an anti-climax.
My first job in TV was hosting this young teen magazine show, and all these high school teenagers showed up from all over Sacramento, California, and they chose four of us to host the show, two boys and two girls. And of the two girls, I was kind of the perky smart one and the other girl was the pretty one.
There's such an adrenaline rush for me on stage and having all these people look at you. There's an adrenaline rush from not having things written down, too.
My average fan works for about $20 per hour, if they are lucky enough to have a job. And then factoring in insurance, taxes and such, they're maybe bringing home $15 per hour. If my tickets are just under $30, it took them about two hours of their life to make the money to come see my show. Why shouldn't I give them two hours too?
It's an old, established rule, but "golden hour" lighting is ideal because the first and last hours of sunlight are diffuse and warm. For that reason, women with photos taken outside during those hours tended to look great.
I know that I am an excellent live performer. I know that I have spent my life paying attention to my art form, developing my art form, worrying about my show and what it is I'm bringing to people, making sure that I give them a fine trade. They get a two-hour show, sometimes a three-hour show, for a decent price.
The first professional game of your career is obviously the biggest, but you still get the jitters, you still get the adrenaline rush before every game. A lot of people don't realize that, but it's true. I have always told myself that if you don't feel those nerves and you're not having fun, you shouldn't be playing. And I always enjoy the competition, the adrenaline rush before a game. And just competing with your buddies at the highest level, every day.
Two hours of sparkling entertainment spread out over a four-hour show.
Sometimes there's no qualitative difference between two-and-a-half and three-and-a-half hour shows. It's just a matter of how long you do it. It's not like the show must be three hours and 30 minutes to work. That's just not the case.
Sometimes you shoot for 40 or 50 hours for a one-hour show, and you have to make some very hard choices.
Sometimes, with two strikes and two outs, I step off the mound. People are yelling, they're yelling really loud. I step off because I want to feel it. You've got all that adrenaline going, you've got that rush. People think I'm thinking about something, but I'm just trying to listen to everyone and feed off it.
I always improvise with the crowd. Sometimes it will be a 50 percent show, sometimes 70 percent, sometimes it's almost a whole show where I wing it. It depends on my mood, the energy in the room. For sure, a portion of it is just kind of winging it.
I've done panel shows, which I enjoy, and on those you're recording half-an-hour of TV and sometimes they film for two hours. But with 'Britain's Got Talent,' you're on camera for eight hours, with a large theatre audience watching - and in between you're being filmed for ITV2 as you eat your lunch.
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