A Quote by Pat Mitchell

Falling on your face, at the very least, is a forward movement. — © Pat Mitchell
Falling on your face, at the very least, is a forward movement.
When you're pretending to be something you're not, at least for me, you end up falling on your face.
My attitude has always been, if you fall flat on your face, at least you're moving forward. All you have to do is get back up and try again.
Growth is an erratic forward movement: two steps forward, one step back. Remember that and be very gentle with yourself.
The argument of those who are being criticized at any time, the civil rights movement forward, the anti-war movement forward, is, it's always outside agitators doing it.
Run forward when possible, walk ahead when you can, stagger onward when you must, but never cease your forward movement.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
I move my face so much because I'm very much expressive. I'm told a lot, 'Stop moving your face'. Because on camera, the tiniest movement tells so much, and it looks really hammy.
. . . it is true that language and forward movement in the cinema are jolly hard to reconcile. It's a very, very, difficult thing to do. . . . There is still a place in the cinema for movies that are driven by the human face, and not by explosions and cars and guns and action sequences . . . there's such a thing as action and speed within thought rather than within a ceaseless milkshake of images.
The whole reason for the success of Dr. King's civil-rights movement was that it was not a movement for itself. The civil-rights movement understood very clearly, and stated very beautifully, that it was a question of humanism, not a sectarian movement at all.
You learn to control every aspect of your muscles, your face, your toes, your fingernails. And that is how you tell a story, through movement.
Mine was an apparent forward movement whereas Burley's was a continuous serpentine movement.
Let the rain falling on your face run into your eyes. Can you see the rainbow now through the stormy skies?
The leaves are falling, falling as from way off, as though far gardens withered in the skies; they are falling with denying gestures. And in the nights the heavy earth is falling from all the stars down into loneliness. We all are falling. This hand falls. And look at others: it is in them all. And yet there is one who holds this falling endlessly gently in his hands.
Everything in this world is designed to oppose your forward movement!
Don’t be gloomy. Do not dwell on unkind things. Stop seeking out the storms and enjoy more fully the sunlight. Even if you are not happy, put a smile on your face. ‘Accentuate the positive.’ Look a little deeper for the good. Go forward in life with a twinkle in your eye and a smile on your face, with great and strong purpose in your heart. Love life.
Ballet requires movements which are very unnatural. With every step, you do a circular movement of the hip. You turn out from the hip and make your knees point out to the side instead of forward.
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