A Quote by Pat Mitchell

I think journalists and filmmakers are keen observers. And actors must also be sharp observers as they draw their characters and their stories from what they experience around them. After all, that is what actors, filmmakers, journalists are trained to be: observers. And then they do something with their observations.
Painters... are the most lively observers of what passes in the world about them, and the closest observers of what passes in their own minds.
There are two kinds of people in the world, observers and non-observers.
In sha Allah, God willing, must be the expression of humility of the active actors and it must never be the justification of the passive observers
If the United States of America or Britain is having elections, they don't ask for observers from Africa or from Asia. But when we have elections, they want observers.
I think independent filmmakers, documentary filmmakers - they are journalists.
I think filmmakers, in general... There are some awesome, really great filmmakers - but on the whole, filmmakers, actors, I think they are the biggest bunch of whiny, over-paid babies on the planet.
Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
Dear young people, please, don’t be observers of life, but get involved. Jesus did not remain an observer, but he immersed himself. Don’t be observers, but immerse yourself in the reality of life, as Jesus did.
Journalists typically don't carry weapons, even in war zones, for fear of compromising their status as neutral observers. If you're armed, the theory goes, other armed people will consider you a target.
Actors are observers of human life, of human behavior.
Perhaps, in the end, there are no such things as creative people; there are only sharp observers with sensitive hearts.
Actors are observers. They're trying to have an understanding of human sensibility. And how do you have that accurate observation if you regard yourself as someone of great importance? When you're the one constantly being observed, because they view you as a celebrity? It's all wrong.
I don't know whether it's audiences or filmmakers who want characters to be likable today, but I don't think actors are afraid of their characters being unlikable.
Also, to get to work with serious filmmakers on this kind of a movie, has elevated these movies. We were so lucky, as actors, that the crew of directors that we've gotten to work with are totally really super high-end filmmakers. But, Bill Condon had a vision and it was so specific. He's really passionate. I think he's taken the story to another level.
The astronomer is, in some measure, independent of his fellow astronomer; he can wait in his observatory till the star he wishes to observe comes to his meridian; but the meteorologist has his observations bounded by a very limited horizon, and can do little without the aid of numerous observers furnishing him contemporaneous observations over a wide-extended area.
I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media is one that needs more of a responsible approach from journalists. We need more 30-year-old journalists. We need more journalists who have children, who have families and wives or husbands, those kinds of journalists. And then you'll get a different depiction of hip-hop and rap music.
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