A Quote by Patricia Riggen
I love the Kathryn Bigelow example: she didn't just do war movies - she did them better than other directors.
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Kathryn Bigelow is a really good example of somebody that has maintained her truth and she makes the films she wants to make and she hasn't let other people affect her too much. Her last film is to me so inspiring and the way she sees war, the way she set up those really intimate relationships in and amongst this carnage.
I look at someone like Kathryn Bigelow, and I have so much admiration. She's playing in the boy's sandpit, and winning.
I tried [being a mogul]. It bores me. I don't really want to produce other people's movies. Because they're either grown-up filmmakers like Steven Soderbergh or Kathryn Bigelow that didn't really need me - and I've produced both of them. It's fun to sit around with them and be collegial, but they don't need me. They can make the film without me. I make my own stuff. There are tons and tons of other things I'm interested in that have nothing to do with movies or are documentary projects.
Barely a teenager, Elizabeth Taylor was already more beautiful and voluptuous than Miss America. When she arrived at the Beverly Wilshire Hotel for our magazine shoot, I was bowled over. I couldn't believe she was only fourteen. She filled out a swimsuit better than I did. We did the pictures, including one shot of me teaching her to float. With that superstructure of hers, she floated just fine. What she couldn't do was sink.
When industry people see something different they don't know what to do with it, so filmmakers who make films about women, they kind of fall through the cracks. If a woman filmmaker makes film about war, like [Kathryn] Bigelow, they say "Okay, this is a war film, it has ninety percent men in it, we know what to do with it." But then she still gets attacked for not doing it properly. [...] But even though it bothers me I don't want to dwell on the sex and gender thing.
When Joan D' Arc was asked by her judges why as a Christian she did not love the British, she answered that she did love them, but she loved British in their country. In the same way, we do not hate the Turks, we love them, but in their country.
The doctor's wife wasn't a bad woman. She was sufficiently convinced of her own importance to believe that God actually did watch everything she did and listen to everything she said, and she was too taken up with rooting out the pride she was prone to feeling in her own holiness to notice any other failings she might have had. She was a do-gooder, which means that all the ill she did, she did without realizing it.
It is better to be alone, she figures, than to be with someone who can't see who you are. It is better to lead than to follow. It is better to speak up than stay silent. It is better to open doors than to shut them on people. She will not be simple and sweet. She will not be what people tell her to be. That Bunny Rabbit is dead.
I have always known my mother as an agnostic, less certain than my father that the universe hadn't been created by some great intelligence. But she would get even more annoyed than my father did when she thought that people were invoking God to do their jobs for them - for example, when she saw a bus with a sticker saying 'Allah Protect Us.'
For me, I am a huge fan of Sofia Coppola and Lynn Shelton. I love Lena Dunham, like everybody else. I love Kathryn Bigelow.
What's amazing about Sarah [Brightman] is that she's sustained such a career. She just keeps going - she's like a machine. She tours and records and loves what she does. I think she's a really good example to anybody in the industry that there is life beyond the shows.
I didn't have a lot of men to ask questions of when I was starting out. There were two female directors people suggested I talk to when I was starting out, and they were Nancy Meyers and Kathryn Bigelow.
Nina Gold is a fantastic casting director. She's doing the new 'Star Wars' movies, but she also does 'Game of Thrones' and many of the Working Title movies, and she did 'Rush.'
If she loved him the way she said she did, she wanted him whole. Maybe this was what love meant after all: sacrifice and selflessness. It did not mean hearts and flowers and a happy ending, but the knowledge that another's well-being is more important than one's own.
Was she terrifyingly beautiful? Was she so ignorant she didn't deserve the truth? Was she also a liar and thus it was something they did together? I don't believe in psychology; which says everything you do is because of yourself. That is so untrue. We are social animals, and everything we do is because of other people, because we love them, or because we don't.
I can't speak for the Kathryn Stockett, but I would guess that she feels proud of the progress the South has made because, growing up, she experienced a very different Mississippi than the one that exists today.
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