A Quote by Patricia Riggen
Americans are more likely to watch a film in their own language. For the rest of the world, it doesn't matter so much.
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Compared with other Americans, journalists are more likely to live in upscale neighborhoods, have maids, own Mercedes and trade stocks, and less likely to go to church, do volunteer work or put down roots in a community. Journalists are over-represented in ZIP code areas where residents are twice as likely as other Americans to rent foreign movies, drink Chablis, own an espresso maker and read magazines such as Architectural Digest and Food & Wine.
Hindi film industry makes film for the rest of the world. Tamil films are watched by Malay people. When a film is not bound by a language, why should an actor be?
I am a writer who is definitely working with a specific language and more than English, that language is American. And I work very much in idiom and am very interested in the play of different kinds of rhetoric, whether it is the more high-flown stuff that reeks of age. I love to juxtapose something like that with something more current or urgent. I am always interested not in America by itself, but America as an idea and how that idea has changed over time, in the eyes of the rest of the world and in the eyes of Americans.
Grittier students are more likely to earn their diplomas; grittier teachers are more effective in the classroom. Grittier soldiers are more likely to complete their training, and grittier salespeople are more likely to keep their jobs. The more challenging the domain, the more grit seems to matter.
Normally, people would spend thousands to watch a trashy film in a multiplex, but not shell out a few bucks to watch a play. But in bigger cities, we are more likely to find a bigger section of people who would want to watch a play.
America is our continent. You feel in the daily language that Americans use the word "America" to erase the rest of the continent from the map. And, of course, the language is clearly a reflection of the geopolitical reality: the domination of the United States over the rest of the continent.
My parents were both first-generation Irish Catholics raised in Brooklyn. But it was more for me - it was that women of that generation were even less likely to express themselves, more likely to have that active interior life that they didn't dare speak out. So I was interesting in women of that era. I was interested in the language of that era. There's so much. And, certainly, this is cultural, so much there wasn't spoken about.
I get much more information about the rest of the world from people who are not Americans. You get a distance from America that is useful for a journalist; useful for my perspective on the world.
One thing I can say about the French language is that no one in the world loves their language as much as they do. It doesn't matter if you're close - it still sounds terrible to their ears.
I look at a film as just a film; language doesn't really matter. I just don't want to limit myself to a particular language, genre or medium.
Britain, as a pop music nation, used to have this very 'empire' kind of attitude. We used to 'invade' the world with our bands, you know? That's obviously changed, because in Europe they're much more interested in bands speaking their own language. Especially in France and Germany. They're starting to develop their own bands much more.
'Minari' was only eligible for the best foreign language film category due to the HFPA rules on language, so the film was submitted to meet these rules; there was no choice involved in the matter.
A few of my books, over the years, have been optioned for film. The subject matter of my books, however, is not exactly conducive to Hollywood film treatment. If and when a 'big-budget' film is ever made based on one of my books, my fans and I will more than likely loathe it because it won't be true to its source. That's almost a given.
As a matter of fact, a national language which spreads beyond its own confines very quickly loses much of its original richness of content and is in no better case than a constructed language.
What turns teenagers on more than the Internet these days? If you can get a language out there, the youngsters are much more likely to think it's cool.
The task that has fallen to us as Americans is to move the conscience of the world, to keep alive the hope and dream of freedom. For if we fail or falter, there'll be no place for the world's oppressed to flee to. This is not a role we sought. We preach no manifest destiny. But like the Americans who brought a new nation into the world 200 years ago, history has asked much of us in our time. Much we've already given; much more we must be prepared to give.
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