A Quote by Patrick Rothfuss

I'd love to take a stab at writing videogames. There are a lot of storytelling opportunities that really aren't being taken advantage of in that field. I'd like to experiment with telling a truly non-linear story.
I'm a creature of adaptation. I take advantage of the second and the moment. My comedy breathes; it's not really that predictable. I do have a linear style, but other than that, there's a lot of abstract. I just go off on what I'm thinking. I'm not that topical. I like to talk about me and my experiences.
I love film and have taken a stab at a screenplay. I love writing dialogue and found it highly enjoyable.
I like to multitask. I love the process of the storytelling in television. I love the serial. Even my stab at doing a procedural show was still very much serialized. I'm such a serialized storyteller. I feel like the story never ends. I want it to go and go and go. However, with cable and streaming now it's endless. You can do anything.
In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.
I love comedy. I love to make people laugh. (But) anything that's telling a good story makes me happy. So, I just like to be part of the storytelling process.
Actors, we like stories, we like storytelling, we love being a part of the story, and if you give us a story that's interesting then we'll want to do it.
I don't make unconventional stories; I don't make non-linear stories. I like linear storytelling a lot.
People are frustrated. This is the most generous country in the world when it comes to immigration. There are a million people a year who legally immigrate to the United States, and people feel like we're being taken advantage of. We feel like despite our generosity, we're being taken advantage of.
Everybody is trying to take advantage of situations, and if you don't take advantage of a situation, you get taken advantage of by somebody else.
I don't really do it on the field, but off the field, I use it to my advantage. I'll talk a lot of smack.
I really think that there was a great advantage in many ways to being a woman. I think we are a lot better at personal relationships, and then have the capability obviously of telling it like it is when it's necessary.
To me, art and storytelling serve primal, spiritual functions in my daily life. Whether I'm telling a bedtime story to my kids or trying to mount a movie or write a short story or a novel, I take it very seriously.
It is very linear storytelling, and I think that's not so much the fashion. I was watching a new drama the other night which was extremely non-linear, where you flash back and flash forward in ways that certainly keeps you on your toes as the audience. There's not much of that courage with the storytelling in our Maigret film.
I feel like some women do get away with doing these sexy shoots and looking like they're being really empowered. For me, I'd feel really uncomfortable in that situation and a bit like I was being taken advantage of.
I think you have to serve a lot of masters when you're doing a video game: you're not just telling a linear story or doing something that's all action.
It is up to the directors to take risks in telling a story and if they want to experiment, they should work with the right kind of people.
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