A Quote by Patrick Stewart
I made a promise to myself that I would try to introduce something unexpected in every single episode of the series. It was largely to amuse myself as much as anything. I didn't ever want the audience to feel that they knew everything.
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What was I afraid of, exactly? What other people would think? I guess, a little. But that wasn't what was stopping me from acting on my feelings. It was the intensity of them. The desire for her. I knew if I gave into it, I'd have to surrender myself completely. I'd lose all control. Everything I knew, everything I was, the walls I'd built up to protect myself all these years would come crashing down. I might get lost in the rubble. Yet, she made me feel alive in a way I'd only ever imagined I could feel. Bells, whistles, music.
The biggest mistake entrepreneurs can make is trying to do everything themselves. They usually blow up when they try. I did an inventory of every deal I've ever done and it turned out that every single deal I made money on was a partnership, and every colossal failure, where I lost millions, was something I tried to do by myself.
I never feel I repeat myself. I really go out of my way to amuse myself. I would be bored stiff. If I feel the déjavu when I'm doing something, I stop and rethink and rework it.
I make some movies for myself. I do that sometimes when the subject matter is very sensitive and very personal and I really can't imagine that I'm an audience member. I would lose myself too much if I thought of myself as the audience. There are other types of genre films that I need to be able to direct from the audience, to be right next to you watching the picture being made.
I never watch television, although, the other night, my wife and I caught an episode of 'Buffy the Vampire Slayer' from Season Six. It's the only series of which I've ever watched every single episode.
If ever I want to amuse myself with an idiot, I have not far to look for one. I laugh at myself.
I'm working for myself; what else have I got to work for? How can you work for an audience? What do you imagine an audience would want? I have got nobody to excite except myself, so I am always surprised if anyone likes my work sometimes. I suppose I'm very lucky, of course, to be able to earn my living by something that really absorbs me to try to do, if that is what you call luck.
From the beginning I felt that I didn't ever want to leave the impression that the process of writing a poem is totally mysterious. I couldn't explain everything that went on in the creation of a poem, but I could try to explain as much as I knew. I thought readers deserved that. I didn't want to set myself apart as being someone special.
There's so much of our psychological makeup which is impermissible for us to explore because it's inappropriate or perverse or scary. I'm interested in exploring that in myself. I try to be honest with myself about everything that I feel. I'm not saying I'm able to do that all the time, but it's something I'm interested in.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
You have to have sympathy for the villain. Even the most disgusting ones, you have to find something to connect with. I try to put as much of myself in every single character that I play.
Early on in my career, when I was working at an advertising agency, I went to a very senior-level meeting and I distinctly remember the inside of the boardroom: every single seat was occupied by a man. In that moment, I made a private promise to myself that I would do everything in my power to bring more diversity to these rooms where leaders gathered and decisions were made. As my career unfolded and I worked on a wide range of clients and gained experience across lots of different industries, the businesses I enjoyed the most where those that focused on women.
If I played something incorrectly, I whipped myself mercilessly. Whenever I made a mistake, I made sure that I would never allow myself to repeat it. Every guitarist wants to play well. But in reality, if good intentions were all it took, then everyone would be great.
Lyrics are what I tend to tear hair out over and they're where I tend to feel weak musically, if I'm being very honest. It is not something I feel like I know anything about; I would not consider myself a writer. I just want to sing, I just want to sing a melody, I just want to feel a melody, and be part of the song, and everything else is not so important.
In concert, I often try to feel the audience and feel their way of hearing. If I feel that there is no contact between the audience and the music, I try to look stronger within myself, hoping that this will lead to a better contact.
I want to give the audience what they want, but not at all costs. I want to leave them with something. I try to do that with every single movie I make.
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