A Quote by Patty Jenkins

I never want to set a belief that a woman has to direct a woman's film, meaning she can't direct a man's film. If only films can be directed by people who are exactly the same as that, it's only gonna limit all of the women more.
A woman doesn't have to direct a woman's film and a man doesn't have to direct a man's film; otherwise, where would we be?
Only six percent of films are made by women. And so in that that paradigm, a woman making a film at all is a political statement. A woman speaking her truth creates a feminist film.
Because if a woman can only direct women, and men can only direct men, and Black directors can only direct Black actors, then we are missing out on opening up voices to different perspectives.
It has to be 'The Piano' by Jane Campion. It inspired me to pursue my dream to direct. It is not just my favorite woman-directed film - it is my favorite film.
There are things that a woman sings, and only a woman knows the full meaning. You may sing for men as well as for women, but only a woman knows your full meaning. I am not a feminista. I only think a woman should be true to who she believes herself to be. Or who she wants herself to be. Or who she imagines herself to be. I don't know what I mean, or whether I'm true myself to any of that. I don't think there are many of us who are true to our possibilities.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
"Fish Tank" [my favorite woman-directed film] by Andrea Arnold. The film is so beautifully shot, and I love the raw energy of Katie Jarvis, who plays the main character, Mia. She is not a professional actress and she provides the film with a sense of realism. To me, the film feels so complete and superior.
I sometimes hear people say women don't want to direct studio films, but I do. I want to direct big films, little films, TV. I want to do it all.
My favorite film is "Meshes in the Afternoon," a short avant garde film directed by Maya Deren. This was the first film that I saw that was actually directed by a woman.
I love theatre - it's where I started - and I've directed a play myself. I'm not sure if I want to direct a film, but certainly, as an actress, I'm always thinking, 'Surely this must be my last film.'
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
If a woman could take care of herself, would she still need a man? Would she even want one? And if she didn't want a man, what kind of woman would she be? Would she even be a woman? Because it seemed if you were a woman, the only thing you were really supposed to want was a man.
Let me put it this way: I would like to direct a successful film. An unsuccessful film I would not like to direct. Films are very difficult.
It's not my ambition to direct lots of films. I think if I direct one film in my whole life, why rush it?
I would love to write a script where the main character is a woman. I know I can direct a film where the main character is a woman. I cannot write that film.
That's why I won't direct film or telly. I can't do those early mornings anymore. I will only direct theatre because that starts at nine in the morning.
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