A Quote by Paul Feig
You have to know everything. You have to know how to light a scene. You have to know all this technical stuff about directing. No, you don't. You can know as much or as little as you have to. Your main job is to get great performances and tell the story correctly and capture it correctly. Then it's just basically yours to complicate or simplify as much as you want.
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I think the answer is we all need a little help, and the coffee's a little help with everything — social, energy, don't know what to do next, don't know how to start my day, don't know how to get through this afternoon, don't know how to stay alert. We want to do a lot of stuff; we're not in great shape. We didn't get a good night's sleep. We're a little depressed. Coffee solves all these problems in one delightful little cup.
Every time I think I’m getting smarter I realize that I’ve just done something stupid. Dad says there are three kinds of people in the world: those who don’t know, and don’t know they don’t know; those who don’t know and do know they don’t know; and those who know and know how much they still don’t know. Heavy stuff, I know. I think I’ve finally graduated from the don’t-knows that don’t know to the don’t-knows that do.
I don't know what directing actors is all about apart from just casting well and then shaping their performances a bit, you know.
I don't know anything about directing, but if you love actors, know your story and hire a great company, then anyone can direct a film.
I love the resource of the Internet. I use it all the time. Anything I'm writing - for example, if I'm writing a scene about Washington D.C. and I want to know where this monument is, I can find it right away, I can get a picture of the monument, it just makes your life so much easier, especially if you're writing fiction. You can check stuff so much quicker, and I think that's all great for writers.
Gettting to know your characters is so much more important than plotting. Working out every detail of your story in advance, especially when you don't yet know your main characters, always seems a little too much like playing God. You're working out your characters' lives, their destiny, before they've had a chance to discover who they are and what kind of people they want to be.
I'm not technical. When I listen to music, I gravitate more toward the sonic aspect of it. The technical stuff of it, I get bored with it. These long solos? OK, already. You know your scales, big deal. I know it, too, but I don't want to do that.
I will do plays as long as they're interested in having me do them. It's the biggest opportunity to learn the most about how to act. Something I discover every time I'm doing one is how little I know about acting - how important the art of listening is, and how important it is to listen with your entire body. You can tell so much of a story with stillness, and a lot of that can be from really actively listening to your scene partner.
My daughter...why do you not tell me about everything that concerns you, even the smallest details? Tell Me about everything, and know that this will give Me great joy. I answered, But You know about everything, Lord." And Jesus replied to me, "Yes I do know; but you should not excuse yourself with the fact that I know, but with childlike simplicity talk to Me about everything, for my ears and heart are inclined towards you, and your words are dear to Me.
Everybody knows how to throw a punch. Not correctly - he or she might not know how to turn the wrist or know what part of the hand to hit with. But humans instinctively know to fight, whether they bite or claw or pull hair. It's an instinct.
My job is to explain stuff you don't know or already know and have to unlearn. My job is to teach you stuff you don't know that you need to know, stuff you should know. I'm going to take what you already know and re-describe it.
It is amazing that 2001: A Space Odyssey has not aged at all, except for a few minor technical gadgets. The main reason is, of course, the philosophical or spiritual element in this story. We know as little today about the secrets of Creation and evolution as we knew before, and it is not likely that we'll ever know much more. We'll have to be satisfied, as Kubrick was, respectfully admiring the potential for evolution within the mystery of the universe's creation.
People who know little are usually great talkers, while men who know much say little. It is plain that an ignorant person thinks everything he does know important, and he tells it to everybody. But a well-educated man is not so ready to display his learning; he would have too much to say, and he sees that there is much more to be said, so he holds his peace.
Do you know how much money you would save if you changed your light bulb to compact florescent light bubs? How much would you save if you decreased your temperature of your house in the winter by one degree, or increase it by one degree? We just don't know these numbers, but I think displays could make it a memorable change in terms of attention, and also help us translate it in terms of concrete ways on what you can get.
I don't want you to write about what you know, because you don't know anything. I don't want to hear about your boyfriend or your grandma... I'm getting a little tired of 'my life story as fiction'. Please don't tell me about your little life - is there nothing larger? More important?
I don't read much, to tell you the truth, about me, you know. I don't read my articles very much or stuff like that, but I have read things upon occasion, and some of it is true, and some of it isn't true, you know. I mean it's just the way it goes, you know.
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