A Quote by Paul Feig
Every director should take an acting class.
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Every director should take an acting class. At least one. You know, you panic with actors. It's like, "Okay, this is back in college, I know how to talk to these guys. I know their vocabulary, and I get what they're saying back to me." So basically to learn the vernacular of acting, that's very important.
I had taken an acting class at Berkeley - I was on the track team, and a friend of mine on the team said, 'You should take an acting class. It's just like recess.' So I viewed it as a simple credit.
There should be a class on drugs. There should be a class on sex education-a real sex education class-not just pictures and diaphragms and 'un-logical' terms and things like that.....there should be a class on scams, there should be a class on religious cults, there should be a class on police brutality, there should be a class on apartheid, there should be a class on racism in America, there should be a class on why people are hungry, but there are not, there are classes on gym, physical education, let's learn volleyball.
I only took a high school acting class because there was no other class I wanted to take. I loved it, but I was always against acting as a profession. I didn't like the monetary fluctuations I saw.
I don't have that drive to be in this field, climbing up, doing bit parts in movies to make a big movie. But I'm lucky I get to also do acting - it's fun. I should probably just take an acting class on the weekends - that would be enough for me.
No matter what, when you major in theater arts whether you want to write or be a director or design scenery or whatever, when you are a freshman at UCLA then - I guess it's still the same way - you had to take an acting class.
I've always had a strange acting life. I'm the daughter of a director, and a very French, typical director who fell in love with every single one of his actresses. And that's also something that's kind of normal in the acting business, because everything is based on desire, one way or the other.
I think directors should at least take acting lessons to see what's going on. And I think all actors should direct to see what a director has to go through.
My hat's off to documentary filmmakers. I don't know if I'm ever going back to it. You're treated like a second-class citizen at most film festivals. You take the bus while everybody else is flown first-class. If you're a feature film director, you're put in a five-star hotel, and if you're a documentary director, you stay in a Motel 6.
Take up martial arts and get proficient. Take a sword-fighting class. Dive in and immerse yourself in it as you would any other acting class, so when the opportunity comes, that skill can be really utilized, and it's not half-baked.
I was in college, I thought I was going to be a lawyer, I met this girl named Laura who was the most beautiful girl I had ever known, and she was taking an acting class, so I decided to take the same acting class. And I was a terrible actor in college.
It's advice I always give to directors when they're starting out: Take an acting class to really see what it feels like to be an actor. And I have always felt like one of my strengths as a director is that I share a language and a vocabulary with actors.
When I was in college, it was on the recommendation of a friend of mine. He recommended that I take an acting class, and so I kind of did. I was very open to feedback and open to suggestions. I had a little bit of space in my schedule, and I guess, as the story goes, I went into an acting class, and I kind of got the bug for it.
Working with a great director is like getting a master class in acting.
I knew I wanted to go to college and I wanted to study it acting, so I just looked for the best school that I could get into. Luckily, I had very supportive parents. I went to a conservatory that is basically drama school. You take one English class and one history class for four years but you don't take any other science or anything like that. It's strictly, from 7am until night, all acting. It's a lot. Some people find it too much, but for me I was preparing for a career and I never really looked back.
Kevin Kline gives a master class in acting. He finds every nuance of mirth and melancholy in this wonder of a role and rides it to glory. You can't take your eyes off him.
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