A Quote by Paul Feig
Man up and add a tux to your wardrobe. Just find one you like and get it well-tailored to your own measurements.
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Every dude needs a well tailored suit. I'd say well tailored suit, a leather jacket, and a pair of jeans that really fit are vital in your wardrobe.
You're responsible for your own character to a degree, because when it comes to the final draft of the script, you might say, "Well, I think maybe I could add this here, add that there." But I find that I write just as well for the other characters as I do for myself. I think.
1. Find your own style and have the courage to stick to it. 2. Choose your clothes for your way of life. 3. Make your wardrobe as versatile as an actress. It should be able to play many roles. 4. Find your happiest colours - the ones that make you feel good. 5. Care for your clothes, like the good friends they are!
A well-tailored suit is important - and I don't like wearing belts with mine - it should be tailored to your body.
I have a really simple wardrobe. I wear a low-scoop tee every day with a tux or leather jacket and tux pants or black jeans. That's pretty much it.
I love dressing up - it makes me feel good. I think most people get that feeling when they put on a well-tailored suit. It like, boosts your IQ, your confidence, everything. And I think that that needs to come back into the norm more.
Find your own Calcutta. Find the sick, the suffering and the lonely right there where you are in your own homes and in your own families, in your workplaces and in your schools. You can find Calcutta all over the world, if you have the eyes to see. Everywhere, wherever you go, you find people who are unwanted, unloved, uncared for, just rejected by society completely forgotten, completely left alone.
Some people can be president, some people can speak, some people, you know, anything that's positive, man - a dentist, a doctor. Just hang in there and never give up, and find out what is your talent. First you got to find your talent and just stick with your talent, and I guarantee you'll get there, man.
When you're in elementary school, you get these amazing assignments, like to come up with your own animal, come up with your own city, come up with your own planet, what do the people look like; you're very much encouraged to be as imaginative as possible.
You just have to be classy at the end of the day. That doesn't mean you can't go with a midnight blue tux. And if you can find a deep red tux that looks classy and classic, I think you can pull it off.
There's just certain styles of playing that you do play in your own way. Maybe it's in the way your fingers bend, for all I know. And so whenever you pick up the guitar it's not so much the sound of the instrument itself, it's like the ting that you add onto it-the attitude.
Wait until the end, like the last two or three minutes of cooking, to add barbecue sauce, so it cooks into your meat. But if you add it too early, it will make your fire flame up. You don't have to slather on the sauce. Just lightly paste each side.
The saddest thing was actually getting fed up with one another. It's like growing up in a family. When you get to a certain age, you want to go off and get your own girl and your own car, split up a bit.
William H. Macy has said, and I don't think I can quote him verbatim, but he's said many times before to not buy into the hype, the Hollywood appeal. To find yourself as a person, as a family man, to find your own happiness, and not to allow your ego to get in the way of your work.
I brought the music out to L.A., and the producer Tommy LaPuma heard it and he said - "Man, I love it. Let's do it. Let's record it." I said, "Okay, where's the band?" He said, "We don't have a band. We want it to sound exactly like your demo." I said, "Well, I played all the instruments on the demo." You do that when you're making demos. You got your guitar, you got your sax. He said, "Well, I want it to sound just like that, so get all your instruments out here." So I ended up playing all the instruments.
A writer can't just be well-educated or good at research; to build a living, breathing world with interesting characters, you have to write from the gut. I'm not saying you have to live your life like a fantasy adventure. The trick is the ability to synthesize your own everyday experiences into your fiction. Infuse your characters with believable emotions and motivations. Infuse your world with rich sensory detail. For that you have to be in touch with your own existence and your own soul, the dark and the light of it.
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