A Quote by Paul Greengrass
I always try and bring screenplay, shooting and editing into a sort of symbiotic - as close into alignment as you possibly can get them, consistent, obviously, with the resources that you've got and the time you've got available.
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I've always equated the writing process with editing, sort of like when I get through editing the movie, that's like my last draft of the screenplay.
You've always got to be smart enough to go 'Well they're going to have to bring some of their own in'. We don't want to be a monopoly where we get shoved out, it has to be symbiotic.
There's sort of a very symbiotic thing that happens on good TV shows with great writers, which is that they start to sort of embrace who the actors are and try to make the roles more specific to what they bring and what they can do.
Comparing filmmaking to a plastic model, shooting is the process where you mold and color each piece, and editing is where you build a finished whole from the pieces you molded and colored. Obviously, the latter is the most enjoyable part in the making of plastic models, so editing is the process in filmmaking I enjoy the most. But at the same time, editing can be a painstaking task, too.
The film is made in the editing room. The shooting of the film is about shopping, almost. It's like going to get all the ingredients together, and you've got to make sure before you leave the store that you got all the ingredients. And then you take those ingredients and you can make a good cake - or not.
When you work with a band, obviously you've got to present them with something they can get a hold of, so it has to be a little more fleshed out as a song. And then where it goes is more collaborative, obviously; it's more political possibly, certainly more a conscious process than a subconscious process, which the painting can be.
To play the game at this level, I've got to continue to get better. I've got to stay consistent, still work on my ballhandling and I've got to become a great defender.
I think stolen bases are always a byproduct of doing other things well. Getting on base - you've got to get on base a lot, obviously. And you've got to be in the right position and your teammates have got to help you out a little bit sometimes.
To me, being popular means I've got more friends. You've got to watch who your friends are, if you want to get close to them, but I've got a lot of acquaintances. And then, you've got to be real careful who your friends are, because you never know why they're your friend.
Once the opportunities knock on your door, you've got to try and go get them. If it doesn't happen, it doesn't happen. But at the same time, you've got to keep going.
These tapes have been found, which were taken from the desk and various bootlegs. At the time we never got to hear them, they didn't seem to be available or they just got put to one side.
While shooting in Patiala, I never felt as if I was shooting here for first time, such was the love I got from the locals and Punjabi actors shooting with me.
You've got to put a lot of hard work in and it's not just in the swimming pool. You've got to look after yourself, you've got to sleep well and you've got to recover between the sessions, whether that's resting or getting the right food inside you. I always try to get the best out of myself and strive for perfection.
With an independent movie, it's like, 'Okay I know what I want, and I got to go for it.' I just got to get the A version of this. Occasionally we'll try a B version, but not often. We'll just get what's scripted and try to do that as best we can, so you sort of edit while you shoot an independent movie.
I try to be available for life to happen to me. We're in this life, and if you're not available, the sort of ordinary time goes past and you didn’t live it. But if you're available, life gets huge. You're really living it.
I think ultimately what you really want is a few people within any label that are into the band enough to really work on it every day for a long time and to actually try a little bit. But obviously, the major labels have more money to spend, so if they feel like spending it, they have bigger resources there when you need them. It doesn't always necessarily translate into them doing a better job for a band, but I think especially if you're playing the game of commercial radio and making videos and stuff like that, that's sort of an expensive proposition.
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