A Quote by Paul Greengrass
Ultimately, if you look at all my films from 'Bloody Sunday' on, they're steeped in a post-9/11 atmosphere. 'United 93' is directly about 9/11, of course, but every one of the movies deals with paranoia, mistrust, and fear.
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'My Name is Khan' saw the post 9/11 scenario from a Muslim perspective. In fact all films dealing with the post 9/11 conflict - whether 'New York,' 'Kurbaan' or 'Khuda Kay Liye' only showed how Muslims were victimized.
Well, our position, and our chairman has talked about this extensively, is that we had a lot of intelligence prior to 9/11. We knew that two al Qaeda operatives who ultimately participated in the 9/11 disaster were in the United States. We didn't find them.
There is no post-9/11. Everything from now until the end of time is post-9/11.
'I Am Singh' is about Sikhs, who, despite living in the U.S. for generations, were mistaken for Arabs and Afghans due to their turbans and became victims of racist violence in the aftermath of 9/11. The film takes a look at the discrimination against Sikhs post 9/11.
As long as Green Lantern is still dealing with fear, it's going to be relevant. 'Rebirth' really grew out of 9/11. 9/11 happened, and then two years later, I was writing about fear. It was obviously connected.
If it's a Sunday, I usually wake up by around 11-11:30 A. M.
We all know a lot of people who died in 9/11, the World Trade Center. A lot of money funding that mission is directly tied - from the 9/11 Commission, directly tied to Iran, Hezbollah, Hamas.
It happened: the first 9/11, it happened on September 11, 1973, in Chile. We did it. Was that interfering or hacking a party? This record is all over the world, constantly overthrowing governments, invading, forcing people to follow what we call democracy, as in the cases I mentioned. As I say, if every charge is accurate, it's a joke, and I'm sure half the world is collapsing in laughter about this, because people outside the United States know it. You don't have to tell people in Chile about the first 9/11.
'Post 9/11 Blues' is an observational satire about the surreal circus of fear at that time. It's a generational thing.
Am I worried about additional attacks in this country? Of course I'm worried about it. We expect the American people to go on living their lives as normally as possible. But it is a post-9/11 world, and the United States government is doing everything we can do to ensure that another terrorist attack does not occur here in this country.
You don't want to pretend that 9/11 ended in 2002 with the first anniversary. So how do you frame the post-9/11 world and play a productive role in discussing it?
I prize something that feels authentic. It's an undefinable thing, but I know it when I see it, and I think audiences do, too. One of the reasons why 'Bloody Sunday' and 'United 93' work is because they felt real, felt truthful.
I think that horror films have a very direct relationship to the time in which they're made. The films that really strike a film with the public are very often reflecting something that everyone, consciously or unconsciously feeling - atomic age, post 9-11, post Iraq war; it's hard to predict what people are going to be afraid of.
If you ask me what I think about going to work every day, it's 9/11 and preventing another 9/11. There were too many people I knew.
When you look at the actual numbers, the number of people who died after 9/11 was greater than the number of people who died in 9/11, even if you are talking Americans. But you know, I don't like to talk Americans. I want to talk everybody. More innocent people died after 9/11 because of 9/11 than died in 9/11.
You know, people have actually changed the way they think about nuclear weapons now, post-Cold War, post-9/11. The threat of nuclear weapons is not so much Russia attacking the United States, China. It's not a state-to-state - it's obviously terrorism; it's proliferation.
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