A Quote by Paul Greengrass

The most important thing as a filmmaker, the hardest journey you'll have, is to find your point of view. — © Paul Greengrass
The most important thing as a filmmaker, the hardest journey you'll have, is to find your point of view.
The most important thing is to have a point of view and have something to say. That is important if you are filmmaker or artist. That means you have to experience the world.
As a filmmaker, I always took my inspiration from a filmmaker named Marcel Ophüls, who said, "I always have a point of view, but the trick is showing how hard it is to come to that point of view."
I think the most important thing for your life is the way you interpret things. Having an optimistic point of view is so important - your life will be so bright.
I feel like I've been observed as an individual more than a gay person, or as a filmmaker with a certain point of view rather than a lesbian filmmaker with a gay point of view.
The most important thing, in anything you do, is always trying your hardest, because even if you try your hardest and it's not as good as you'd hoped, you still have that sense of not letting yourself down.
From this point of view, to avoid your strengths and to focus on your weaknesses isn't a sign of diligent humility. It is almost irresponsible. By contrast the most responsible, the most challenging, and, in the sense of being true to yourself, the most honorable thing to do is face up to the strength potential inherent in your talents and then find ways to realize it.
As an actor, you have to believe in the point of view of a director; as a director, you have to be able to express what your point of view is and invite everybody to join you on that journey. So it's always about opening up.
The great thing is the thing of being able to see things through many points of view. That's enlarging. I mean, it saves you from ultimately from the boredom of having one point of view, like being locked in a room with nothing but your own point of view, your own references.
If you're not on set, if you're not on stage, go to class. Find teachers you trust and who push you and who you respect as people. That's what you're getting with a teacher: a point of view. You end up taking those points of view and that turns into your point of view as an actor.
Definitely the hardest thing is to find time to be grounded with real life, but without it, I don't think I'd be able to continue to grow as a filmmaker.
In business, I believe that if you focus only on the journey, you'll miss the whole point of the enterprise. There has to be a goal, an end game of some kind; otherwise, you're just spinning your wheels. Yes, the journey is important, but the destination is important, too.
There's the instability of my attitude as an artist, the instability of our perception of the world, and the idea that with this mix, you never know exactly what's the point of view of the filmmaker. This breaks the stability of the belief that a filmmaker is somebody who has a logical relationship with his own material. These elements create this atmosphere that I find more interesting than a normal atmosphere, based only on the characters.
Circumstantial evidence is a very tricky thing. It may seem to point very straight to one thing, but if you shift your own point of view a little, you may find it pointing in an equally uncompromising manner to something entirely different
To me, graphic T-shirts are the most important and most expressive format for a designer or a person. Your taste in graphic tees says a lot about your point of view.
One of the things that's important for anybody adapting source material that is primarily a male buddy picture is to find ways to latch on to strong female characters in the piece and bring them to the forefront and celebrate their point of view alongside the men; otherwise, it becomes a sausage party, and it's a singular point of view.
It's hard to make it one piece of advice. For me, what's most important is you kind of choose your point of view.
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