A Quote by Paul Greengrass
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
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Once I got interested in organized crime, and, specifically, Jewish organized crime, I got very interested in it. I have learned that, like my narrator Hannah, I'm a crime writer in my own peculiar way. Crime with a capital "C" is the subject that I'm stuck with - even Sway is about "crime" in a certain way. The nice thing about crime is that it enables you to deal with some big questioO
The causes of crime are very complicated. But there is a very big literature, as you know, about single parenthood in crime, about race in crime, and about poverty in crime.
We are not prepared to consider special category status for certain groups of people serving sentences for crime. Crime is crime is crime, it is not political
The consequences of a crime should not be out of proportion to the crime itself.
I'm vitally interested in cyber crime and in preparing law enforcement for a time when crime is international in its origins and its consequences.
Crime is interesting. It's huge and fascinating, and it's what my business, TV and film, is largely based on. But the realities are tragic, and in crime drama you rarely see the pain of bereavement or any consequences. It's reduced to a chess game.
All societies have these cases. There are many, many crime cases that remain famous from the times of the Romans. The Bible is full of crime stories. You can almost flip to a page. Joseph being sold into slavery by his brothers is a crime story. The Bible is full of crime stories.
suicide is a crime - the only crime that, if successful, guarantees that the perpetrator will not be punished for it. This makes it the most serious crime of all.
I think there is a lot of crime caused by desperation, and it doesn't mean that people commit crime because they're poor, but certainly a lot of people who are poor commit crime and they might not if they weren't poor. You understand the difference there? That's not news, but it comes up when I hear people say poverty doesn't affect crime - that crime is still going down in America even though the economy is bad.
All novels are about crime. You'd be hard pressed to find any novel that does not have an element of crime. I don't see myself as a crime novelist, but there are crimes in my books. That's the nature of storytelling, if you want to reflect the real world.
That it is not enough to catch a criminal and get them convicted and so on, because the victim remains with the consequences of the crime. Something needs to be done. Let's complete that process, interact with civil society about this, so that we will specify what is it that we do in the context of that Charter that would then make this positive impact on people who might have been affected by crime.
I grew up reading crime fiction mysteries, true crime - a lot of true crime - and it is traditionally a male dominated field from the outside, but from the inside what we know, those of us who read it, is that women buy the most crime fiction, they are by far the biggest readers of true crime, and there's a voracious appetite among women for these stories, and I know I feel it - since I was quite small I wanted to go to those dark places.
The community does not fight crime well by chasing it; after-the-fact, crime has won and the target of violence is injured or worse. Crime is fought best not by chasing it, but by facing it before it can become a completed act.
Crime is fought best at the scene of the violence.
I was a late bloomer. I was 38 when my first book was out and 43 when my first crime novel was out. I had a story that could only be told as a crime story. I think the genre is good; it deals with the fundamental questions of life and death. The problem is there are too many bad crime stories.
During the Great Depression, levels of crime actually dropped. During the 1920s, when life was free and easy, so was crime. During the 1930s, when the entire American economy fell into a government-owned alligator moat, crime was nearly non-existent. During the 1950s and 1960s, when the economy was excellent, crime rose again.
I work in an old tradition that goes back to the ancient Greeks. You hold a mirror to crime to see what's happening in society. I could never write a crime story just for the sake of it, because I always want to talk about certain things in society.
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