A Quote by Paul Haggis

Usually the characters are where I start. Then I continually ask myself, 'What's the worst thing that could happen to this character?' — © Paul Haggis
Usually the characters are where I start. Then I continually ask myself, 'What's the worst thing that could happen to this character?'
If the worst thing that can happen is that nobody laughs, then I can deal with that, because the worst thing that can happen at the factory is that I could lose a limb or be crushed by a huge machine.
Write backwards. Start from the feeling you want the audience to have at the end and then ask "How might that happen?" continually, until you have a beginning.
I think at some level, it's just alchemy that we, as writers, can't explain when we write the characters. I don't set out to create the characters - they're not, to me, collections of quirks that I can put together. I discover the characters, instead. I usually go through a standard set of interview questions with the character in the beginning and ask the vital stuff: What's important to you? What do you love? Hate? Fear? .. and then I know where to start. But the characters just grow on their own, at a certain point. And start surprising me.
I've asked myself what is the worst thing that can happen if I take this decision and go along with it. Very often, I find that the worst thing that can happen is something that I can live with. And if that's the case, I will do it.
First ask yourself: What is the worst that can happen? Then prepare to accept it. Then proceed to improve on the worst.
To sit through a film where you're just unmotivated to be interested in a character is probably the worst thing that could ever happen.
Always ask for what you want, because the worst thing that can happen is embarrassment but the best thing that can happen is nudity.
Some time ago, I learned how to say, 'What's the worst thing that could happen up there?' I could mess up some words, I could sing flat... I could appear human. Is that really the worst thing in the world?
The rule for finding plots for character-centered novels, which is to ask: 'So what's the worst possible thing I can do to *this* guy?' And then do it.
I start with characters, and then I start writing, and then, if I'm lucky, things start to happen.
You think that their dying is the worst thing that could happen. Then they stay dead.
Anything I shouldn't laugh at makes me laugh. I mean, I'm bad at that, when somebody is singing something terribly and I'm thinking to myself, 'If I laugh now, this is the absolute worst thing I could ever do,' and then I start laughing and I can't stop.
I once thought losing my confidence was the worst thing that could happen; then I lost my faith.
If the worst is going to happen, it'll happen. Worrying can't protect you from that. And if it doesn't happen then you've missed out on all the time that when you could have been having fun
A couple days before the stunts, if I'm doing something particularly dangerous, I will go over every worst-case scenario in my head, like this could happen, this could happen, this could happen, this could happen. I try to think about that to where it's ingrained in me.
I always say that you can't be afraid to ask the question. What's the worst that could happen? The answer could be "no" and you go on.
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