A Quote by Paul Haggis
Unless I'm really uneasy with what I'm writing, I lose interest very quickly.
Related Quotes
I'm the sort of person with a very short attention span, and I lose interest in things very quickly.
I like people who enjoy life. I can't stand women who play games. I lose interest very quickly. I prefer up-front honesty.
Journalism is very much public writing, writing with an audience in mind, writing for publication, and frequently writing quickly. And I know that when I worked daily journalism it really affected my patience with literature, which I think requires reflection, and a different kind of engagement.
I do read very, very quickly. I do process data very quickly. And so I write very quickly. And it is embarrassing because there is a conception that the things that you do quickly are not done well. I think that's probably one of the reasons I don't like the idea of prolific.
As a writer, I can't really take days off. Writing is like creating an art. Once you stop writing, you can lose your rhythm and context, meaning that your writing may lose its power.
Fashion moves so quickly that, unless you have a strong point of view, you can lose integrity.
I came up professionally as a lawyer, and when you're a lawyer, writing a 50-page brief in one night is just another day at the office. You learn to make choices really quickly, and you learn how to get thoughts down very quickly.
We cannot achieve greatness unless we lose all interest in being great.
For most of my writing life, I've refused to allow myself to believe that writing was a significant form of action. I always felt very uneasy about the fact that all I did was write in a situation as desperate as apartheid South Africa. Whether I was correct or not is a different issue.
I love writing. I never feel really comfortable unless I am either actually writing or have a story going. I could not stop writing.
My mind goes really quickly and I tend to talk really fast, as you've probably heard, I sometimes lose track of my syntax, as I'm talking that fast. The only thing I try to do, well, it's slow down, but also I do something when I'm reading that's similar to when I'm writing a section, which is to really try to imagine you on the other side, in a certain way, as an intelligent, sympathetic presence who's rooting for me to tell you a good story.
Men don't want anything they get too easy. But on the other hand, men lose interest quickly.
I used to joke about this but I've recently realized that I really believe it: I spent many years training myself to write very slowly for pretty good money. So the idea of writing really quickly for free offends me.
You may grow very quickly the first two years and then watch the business decline, unless you really start selling product at any price range with various degrees of quality.
Loss aversion is a really disproportionate anxiety about stuff that doesn't matter very much. So for instance, if you lose $5, you feel really bad about the $5 you've lost. You're cursing yourself. You're going through it again and again. If, on the other hand, you find $5, you go - hey, great, five bucks. And you've forgotten about it really quickly.
If you're not connected emotionally to a story, then you're dead. You're as a filmmaker really just opening the door for people to lose interest and their minds to wander, for them to start picking it apart. That's what people will do, people will naturally tear stuff apart because they're trapped with it, they paid money for it. And they came into it wanting to love it. So all you can really do is piss off the audience. Unless you do things right.
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