A Quote by Paul Haggis
We all have these tendencies in us that could go this way or that. I think that's the real key in writing. To look at a character without judgment.
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When I'm writing a comic book, I'm thinking about a character that I'm going to be drawing on the page. I've never drawn a character to look like who I want to cast in a movie because I don't think that way. I'm a real monomaniac. I do one thing at a time.
There has been abroad many times some criticism of our Government, of our people, and our ways, but that has demonstrated, I think, that when they are in real trouble and real difficulty over there, they turn to us as a nation that will be fair with them--one in whose judgment and in whose character they can rely; and that not withstanding differences that have seemed to exist, they are willing to abide by the faith that they have in us, and I think that is a very substantial accomplishment.
First of all, the actor needs to get out of the character's way. You follow the character without judgment or prejudice or preconceived ideas.
I don't think you could teach someone to be a genius, but you can certainly teach them to not make rookie mistakes and to look at writing the way a writer looks at writing, and not just the way a reader looks at writing. There are a lot of techniques and skills that can be taught that will be helpful to anybody, no matter how gifted they are, and I think writing programs can be very good for people.
I think if you find that you're making a judgment on the character, than your audience will make a judgment on the character.
One of my jobs as an actor, regardless of who I play - even if I'm playing a despicable character - is to make people think that that character could exist, that he's real, and the way to do that is to make him believable. He doesn't have to be likable or charming, but he just has to be believable. That is someone who I could see on a bus. That is someone who I could walk past in the street.
Character isn't what we think it is or, rather, what we want it to be. It isn't a stable, easily identifiable set of closely related traits, and it only seems that way because of a glitch in the way our brains are organized. Character is more like a bundle of habits and tendencies and interests, loosely bound together and dependent, at certain times, on circumstance and context.
My character on 'Voyager,' because of the way he was presented, I could go either way. I could be a real buffoon, a windbag, be self-involved, and we could get a lot of comic mileage from him. However, the audience accepted me with gravity when I was in a dire situation, so they would follow me in comic or dramatic stories.
The sin of worldliness is a preoccupation with the things of this temporal life. It's accepting and going along with the views and practices of society around us without discerning if they are biblical. I believe that the key to our tendencies toward worldliness lies primarily in the two words “going along”. We simply go along with the values and practices of society.
The way Jacques Brel writes a story, getting into the character, bringing out all his faults and qualities in the same song.... Not that I could ever write in such an epic way, but it really is a different way to go about writing lyrics...and I find that quite inspiring.
Everything I do is because of writing. If I go for a walk, it's because I'm thinking of writing. I go look at flowers, I go look at the garden, I go look at a museum, but it's all coming back to writing.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
One of my favorite things about the Kung Fu Panda 3 is the look of it. We never go for realism. I think a lot of time when people go for 3D that's the mistake. Because we're never going for full realism - for computer generated live action films like Avatar the goal is realism, to make the audience feel like they are seeing something that is real. Lord of the Rings had character design and environments to make it look real, whereas we aren't going for that, we are going for something that is theatrically, viscerally, and emotionally real.
Writing is a completely private act. It's in a way like play but very serious play, and sometimes I can escape into the fictional world that I'm creating so fully as to see hours go by without my noticing it. I think that kind of suspension of time and that mindfulness is a real gift.
The real beauty of it - key to my life was playing key chords on a banjo. For somebody else it may be a golf club that mom and dad put in their hands or a baseball or ballet lessons. Real gift to give to me and put it in writing.
Do I think he's got character? Yeah. You don't play defense like that without deeply caring about teammates... John Wall plays real defense. He's got real character.
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