A Quote by Paul Kengor
It is quite sad, to me, that that ideal, that vision and understanding [of American founding ], doesn't seem to be a part of the current political season.
Related Quotes
The American founding is not just about a group of people, a group of men. It is about an ideal: Both a vision and understanding of the very essence of democracy, constitutional government, a representative republic, and the remarkably powerful concept of being endowed by our Creator with certain unalienable rights.
In part, it's almost surely a failure of modern education, whether K through 12 or higher education, or really both. Barack Obama went to Ivy League institutions like Columbia, which are reputed to be among America's top colleges. And yet, this very recent product of those American institutions is not publicly articulating an appreciation of the American founding or the founders and their vision for America.
I've been asked several times since the book Love and Trouble came out, "Are you still sad?" And I'm not, not in the way I was before. I do feel like it was a season in hell that I passed through. But now I'm in despair and sad and confused every day because of our political situation. So the question is: Is it harder or easier to be sad with a reason?
Being an American is an action; it's an ideal to strive for. It's being part of this constantly perfecting union that, with each generation, expands our scope and human understanding of 'We the people.'
The American people want to pay attention to serious ideas again. Our founding was built by people who were political philosophers, and we need to get back to that, away from this kind of cheap political rhetoric of Right and Left.
The American ideal of sexuality appears to be rooted in the American ideal of masculinity. This idea has created cowboys and Indians, good guys and bad guys, punks and studs, tough guys and softies, butch and faggot, black and white. It is an ideal so paralytically infantile that it is virtually forbidden - as an unpatriotic act - that the American boy evolve into the complexity of manhood
The people who are absent are the ideal; those who are present seem to be quite commonplace.
For Americans the contradiction between national ideal and social fact required explanation and correction. Ultimately this contradiction did not lead to the abandonment of the ideal of equal opportunity but rather to its postponement: to the notion of achieving for the next generation what could not be achieved for the current one. And the chief means to this end was a brilliant American invention: universal, free, compulsory public education. This "solution" was especially important for children and families because it gave children a central role in achieving the national ideal.
Obama's personality traits, coupled with his extreme-leftist agenda, make him particularly dangerous to the American ideal and to the preservation of our founding principles, as well as to the liberty and prosperity they guarantee.
Even if my songs are quite sad or quite dark, I don't want my songs to make people sad. It's very important for me that all my songs have some kind of hope or light.
I've been part of founding three companies that have gone public. It doesn't seem like a big number, but it's actually a lot.
I hate to be general, but I rely on Andrew Keenan-Bolger for all things music. Every season, he releases a mixtape on his blog of the most incredible and current music. I download it instantly, and it gets me through the season and keeps me educated musically.
But we need more than a broader understanding of what is a good society or a moral and political critique of the existing market fundamentalism engulfing American society, we also need to create new forms of solidarity, new and broad based social movements that move beyond the isolated and fractured politics of the current historical moment.
I'm not a sad person, upset the whole time, but I seem to be quite emotional.
I think almost every woman artist I've ever met has this ideal of being in a partnership working situation with a man, that men don't seem to share. They seem to want this ideal thing, that we'll always be together and work together.
That's such a big part of film scoring that people don't realize. There's a portion of film scoring that's writing the music, but a lot of it is how do you get along with the guy you're working with, how do you interpret what he wants? It's so subjective, you know? Your version of sad is probably different than my version of sad. It's my job to figure out what your vision of sad looks like.
