A Quote by Paul Morrissey
I've always been an independent producer. I'd kind of like to be hired help for a change. I don't mind that.
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You always have to remember in this business that the public doesn't care about us. It's very important to keep that in mind. If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
I've always been attracted to independent women, but the idea that someone could be independent and still kind of put herself second at times was pretty interesting.
Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
Originally a record producer more or less hired a bunch of professionals to participate in a recording session, the performers and the technicians, and a music director was put in charge. That directly related to a film producer's job.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I would like to do all kind of movies, but it all depends on the producer. The director, the actor, and the producer must like it, and they must be clear about it.
Tennis is not like other sports where the coach is hired by an independent entity, and that makes a huge difference in the dynamic.
Every producer I have met has asked me to change my hair. I have always said 'No.' I finally change it for me... and now everyone in the business is like, 'You have to go back to having brown hair.'
I've always been passionate about the concept of helping the underdog. It just doesn't make sense to me as to what kind of person would take a huge platform and not use it to do something, to change something, to help people.
I have always wanted to be independent. When I became a producer, people said I would not succeed, but I proved them wrong.
In my experience as a record producer, the people who most get involved are the people from independent labels who feel they have more to do with it; it's their "baby" kind of thing.
I've always been a leader. I've always kind of been the tallest person on the team when I was younger but always kind of the smartest. I was ahead of my time. I wasn't always the oldest, I kind of was the youngest on the team, but, I kind of knew what to do at times.
I'm unapologetic about multi-tasking. From being a television producer to a musician, an actor, and a film producer, I would like to believe there has been growth in my career.
The more shows that are produced, the more writers are hired, producers are hired, actors are hired, directors are hired, it means the more people will get employed. It's better for the economy. It's a fantastic thing.
It's helpful to just hear things through friends' ears, people who know you well. I guess when I started Dirty Projectors, when I was, like, 20, I always imagined it would be kind of like an amphibious vehicle: something that could go with me wherever I need to go. That kind of constant change has been in the DNA from the beginning.
It's like being in the position of - in half of the industry's mind, you're kind of a cult-following, independent rocker. And on the other hand, you're a sellout. But neither one of them are right.
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