A Quote by Paul Morrissey

Andy was not a director and not a writer. He operated the camera a little bit, and he wasn't even so good at that. — © Paul Morrissey
Andy was not a director and not a writer. He operated the camera a little bit, and he wasn't even so good at that.
I enjoy the acting, but I didn't plan on that. It fell into my lap, and I'm having a lot of fun with it, but I'm definitely moving towards directing because I'm naturally a writer, and I think a good director edits, writes, and has acted a little bit. He's done a little bit of everything, and that's what I'm trying to do.
You can give the greatest performance possible, but if you don't have a director who's pointing the camera in the right direction and an editor who's editing it properly, it doesn't matter what you do. The director and the editor are the most important people. Not the actors. Sometimes the writer is important. But if you don't have a good director, you can't have a good production.
A good director is not an expert in anything in particular. A good director just knows a little bit about everything.
Writer-directors are a little bit more liberal, rather than having just the writer on the set, because I think sometimes the writer becomes too precious with the words. If you're a writer-director, you can see what you're doing and see your work in action, so I think you can correct it right there and still not compromise yourself.
Andy wasn't capable of any complicated thoughts or ideas. Ideas need a verb and a noun, a subject. Andy spoke in a kind of stumbling staccato. You had to finish sentences for him. So Andy operated through people who could do things for him. He wished things into happening, things he himself couldn't do.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
My dad is a successful television producer, director and writer, and my mom's a director and writer. Even when I was young, I wanted to be an actress.
They were all wonderful [on Andy Griffith Show], but I enjoyed Andy and Don and Ron the most. Ron played little Opie so well. He really took acting seriously and worked hard to deliver his lines well. Andy was always fun and liked to tease. Don was nothing like Barney. Don was very quiet, which shows what a good actor he was.
I don't think it's so important to be a movie director. It's a beautiful profession, but no more than to be a cartoon writer. A very rich cartoon writer. I've done a lot of films, and I know deeply that, in all of cinema, there is no director who is as good as Shakespeare.
Andy Kindler. Andy's set - somehow he slayed that night. But something weird about it that wasn't translating for the CD. I don't know what it was. But we listened to it and it wasn't the greatest audio recording - I mean, the quality of it was good. But we didn't want to put it on the record because it doesn't represent what Andy does.
A good writer takes time to go in-depth into a subject and then comes out with a good script. Then it's the job of the actor and director to improvise with it and make it even better.
I see myself much more as a writer/director or at least an aspiring writer/director - not necessarily in film.
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
My dad is a successful television producer, director and writer and my mom's a director and writer.
I didn't have a burning desire to be a writer or director - writer probably more so, certainly not a director.
I thought I was depressed because I wasn't a writer/director. I moved into a space where I'm a writer/director, my movie is a hit at Sundance, I have a wonderful, loving boyfriend, and wow, I have financial stability. Why can't I get out of bed still?
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