A Quote by Paul Morrissey

Rome has New York's formlessness, aimlessness, a kind of hard-boiled sophistication, blase about everything. In their filmmaking, too, the Italians have this tongue-in-cheek sense of comedy.
One of the things I'll always remember from my time with 'Black Mirror' is the sense of all the tongue and cheek, and very, very dark sense of comedy there, too.
I had a column for the 'Seattle Weekly' for five years, and there was one column that was called 'How To Be A Man,' and it was kind of tongue in cheek; it was really tongue in cheek. And I got a book deal from that column.
I wrote my graduate thesis at New York University on hard-boiled fiction from the 1930s and 1940s, so, for about two years, I read nothing but Raymond Chandler, Dashiell Hammett, James Cain and Chester Himes. I developed such a love for this kind of writing.
I love country music, but I find it very hard to take it seriously. I also think a lot of country music is sung with the tongue in cheek, so I do it tongue in cheek.
And if we’re talking about hard-boiled detectives, too, what could be more hardboiled than the worldview of Ligotti or Cioran? They make the grittiest of crime writers seem like dilettantes. Next to The Conspiracy Against the Human Race, Mickey Spillane seems about as hard-boiled as bubble gum.
I don't necessarily notice too much of a change in the sense of the kind of matches that I have in say a Los Angeles as opposed to a New York City. The big difference that I notice, and this is what all love as New York city and Philadelphia has treated me fantastically, but man, you cannot screw up in Philadelphia and New York.
There is more sophistication and less sense in New York than anywhere else on the globe.
I have to work hard and wear pants. I've worked really hard these last years, and since everything is coming together at the same time, I had to move the play back. I'm kind of in love with my theater agent. I'm a true naïve about the theater, a total innocent. He says to me, have you ever been to a rehearsal room? Do you realize you are opening at the Public in New York? You do understand that the audience will be New York theater people?
I combine aspects of fashion, comedy, sculpture, video, painting all kind of in one multimedia sort of curriculum. New York is what gave me that kind of ability or freedom. People come here from all over the world to do something ambitious, and I think New York is really positive in that regard.
I have come not to make war on the Italians, but to aid the Italians against Rome.
Director Baz Luhrmann flew me to New York to read for 'Moulin Rouge!' Maybe I was a little blase about it.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
To want to come to New York, you have to have a sense of wonder about the world and a foolish sense of worth about yourself. And I, too, had both of those things.
The world's so big, it's hard to pick one best friend. I like everyone in Venezuela, but in L.A., I hang out mostly with my comedy friends. Guys like Paul Scheer, Rob Riggle, Owen Burke, Ed Helms, Seth Morris - we all kind of came up together doing comedy in New York.
We actually did quite a lot of comedy on 'Xena'. The whole show was very tongue-in-cheek.
Something about New York, man: You can do more comedy there probably than you can anywhere in the world. If you're interested in being funny, New York is the place to go.
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