A Quote by Paul Schrader

I teach a course in screenwriting at Columbia, but I've never taken a course and I've never read a book about it! — © Paul Schrader
I teach a course in screenwriting at Columbia, but I've never taken a course and I've never read a book about it!
I managed to get my copy of Ulysses through safely this time. I rather wish I had never read it. It gives me an inferiority complex. When I read a book like that and then come back to my own work, I feel like a eunuch who has taken a course in voice production.
It's stimulating to teach a new course. To teach a course three times in a row is, I think, about the maximum for me. On the second year - you know, the saying is that first year you learn how to teach the course, the second year you do it right, and the third year you're coasting and you had better move on to something else.
It was disconcerting for the novel to seem so different when I re-read it. Of course we are a different person each time we open a book to read it again; we can never really experience it in the same way, just as we can never step into the same stream twice.
We have never lost a crew member on the space station, but of course, the Columbia accident. I was - I'd already been an astronaut for a decade when the crew of Columbia was killed. And I went through test pilot school. Rick Husband and I were out at Edwards at test pilot school together. He was the commander of Columbia.
I have never taken performance-enhancing drugs in my life and I never will. Over the course of my career I have taken hundreds of drugs tests and every single one has been negative.
I got a call on a Sunday. 'Do you want to do 'The Godfather?' I thought they were kidding me, right? I said, 'Yes, of course, I love that book' - which I had never read.
I never teach the same course twice.
Corliss wondered what happens to a book that sits unread on a library shelf for thirty years. Can a book rightfully be called a book if it never gets read? If a tree falls in a forest and gets pulped to make paper for a book that never gets read, but there's nobody there to read it, does it make a sound?
I never read. I've never read one book... I just can't do it. Something's wrong with me. I have what they call now is 'ADD,' like I'll read and all of a sudden I'll be thinking about shopping or... I'm not there. I drift off. I get crazy, so I don't even bother.
I never learned to be a writer. I never took screenwriting courses. I never read anyone's scripts. As a writer, my only guiding principle has been to write about things that scare me, write about things that make me feel vulnerable, write about things that will expose my deepest fears, so that's how I write.
Children are amazing, and while I go to places like Princeton and Harvard and Yale, and of course I teach at Columbia, NYU, and that's nice and I love students, but the most fun of all are the real little ones, the young ones.
Sometimes I get to see a movie that's adapted from a book that I haven't heard about or that I love the movie so much that I will, of course, read the book.
Of course, 'True Grit' is a Western, but we never considered our film a classical Western and honestly never thought about genre at all. We didn't talk about John Ford or Sergio Leone, even though we like their films. Really, we were driven only by our enthusiasm for Charles Portis's book.
I'd never taken an SAT prep course. They were for weaker students.
Whenever a text-book is written of real educational worth, you may be quite certain that some reviewer will say that it will be difficult to teach from it. Of course it will be difficult to teach from it. It it were easy, the book ought to be burned.
The three practical rules, then, which I have to offer, are, --/ Never read a book that is not a year old./ Never read any but the famed books./ Never read any but what you like.
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