A Quote by Paul Theroux

The realization that he is white in a black country, and respected for it, is the turning point in the expatriate's career. He can either forget it, or capitalize on it. Most choose the latter.
The turning point in my career came with the realization that Black should play to win instead of just steering for equality.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
Every time we have had a presidential election where there is "White or Black," you always have to choose between the lesser of two evils, so you either vote for "Satan" or the "Devil," and you catch hell with either one.
Choices of right or wrong are not presented to you in black and white. If they were, I'm sure most people would choose white.
Nothing's black or white in our country - you're either brilliant or you're hopeless
I think the way you can tell if a guy and girl are in a serious relationship is whether or not they have black and white pictures of themselves together. That's the real test. Because it takes effort to get nice black and white photos. If you've gone that far, there's no turning back.
Some people never learn the art of compromise. Everything is either black or white. They do no recognize, or will not concede, that the equally important color gray is a mixture of black and white.
The turning point in my career was Jaws. It was a turning point because I was a director-for-hire before Jaws and because it was such a big hit I could do any movie I wanted and Hollywood just wrote me a cheque.
This is a concept that western culture has forgotten : everything is one! The idea of dichotomy is deeply wrong and nothing is better than a great symbol of China, the Tao, the wheel of yin and yang that represents life. The universe is the harmony of opposites, because there is no water without fire, there is no female with no male, there is no night without day, there is no sun without the moon ... there is no good without evil! This symbol is perfect since the white and black are embracing each other; inside the white there is a black point and inside the black there is a white point.
I want to see designers capitalize on a beauty that is not only white. I need them to stop acting like beautiful black and brown women do not exist.
Truth; that long clean clear simple undeniable unchallengeable straight and shining line, on one side of which black is black and on the other white is white, has now become an angle, a point of view.
I've been identified with pink throughout my career, but I'm not as crazy about it as I've led people to believe. My favorite colors are actually neutrals โ€” black and white โ€” but then who thinks of a movie queen in black and white? Everything has to be in living color.
I think 'Maharbharat' was the turning point of my career. If not very smoothly, my career did move in a much better way.
Many people say that this is not an easy issue, we cannot just say that this is how it is, it's not black and white. But I say that this is black and white. Either we stop the emissions or we don't. There are no gray areas when it comes to survival.
America is as much a black country as a white one. The lives and destinies of the white American are bound up inextricably with those of the black American.
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.
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