A Quote by Paul Thomas Anderson

I don't think the competition's so rough, within the majority of movies made in Hollywood. — © Paul Thomas Anderson
I don't think the competition's so rough, within the majority of movies made in Hollywood.
People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you want to get them distributed in the U.S., you're not really working with Hollywood. The movies I've been making, the first one I made, I made it with Working Title, but it was financed through Universal, so it became a Hollywood production.
The corporate system dictates what gets made, and the movies are so bad because of the economic structure of Hollywood. The big business takeover of Hollywood is at fault rather than American storytellers - it's what keeps textured movies from getting made.
I do think Hollywood is recognizing that there's a craving for it, that there's a huge audience in our country. They want movies that they can bring their families to. They want movies that are going to speak to their heart, in a way that's refreshing to their hearts. And Hollywood is learning that there's money to be made there.
Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.
I think of myself as making independent films within the studio system. Yes, I've made movies with significantly larger budgets, and I've also made movies with smaller budgets.
Some of my favorite movies are Hollywood movies. Hollywood is part of the cinematic spectrum. I nurture a healthy love-hate relationship with Hollywood.
I have a tendency to think that that stereotype of American movies and Hollywood movies doesn't exist. Of course you have the studios that have a very hard policy upon their artists, but then I haven't really been doing any real Hollywood movie yet.
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies.
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies
Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.
I like to go to the movies at The Hollywood Forever Cemetery. They do this thing in The Hollywood Forever Cemetery in Hollywood where everybody sits out on the grass and they project movies and it's very romantic and very old-school Hollywood, so I love that.
Cult movies are basically movies Hollywood missed the first time - that they should have gotten - and then the fans got it and made it successful.
On the last couple of movies I made - big-budget Hollywood movies - I really missed being able to create my own material.
Some say Hollywood movies that are made about boxing are just metaphors for other things, I think I've made one that's actually about boxing and not a metaphor.
The divorce was rough on all of us. I don't blame Hollywood for my family's problems. But having all of it reported in the press made it more of an ordeal.
I guess maybe I try to make movies that are closer to real life than are many Hollywood movies. But I still try to stay within a commercial narrative, a contemporary American vernacular.
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