A Quote by Paul Thomas Anderson

You know, I'm really not that competent at describing things musically. — © Paul Thomas Anderson
You know, I'm really not that competent at describing things musically.
If I could be really competent, that goes such a long way toward things, because the majority of things are not competent. If I can be competent, and have moments of originality, that's all I would ask for.
What is competent? Who is it that can adjudicate what is competent or not competent? If the guys that are running the most important banks in our country aren't competent enough, well then, who is competent enough?
Picture this scene. A critic arrives at the gates of heaven. 'And what did you do?' asks Saint Peter. 'Well', says the dead soul. 'I criticised things'. 'I beg your pardon?' 'You know, other people wrote things, performed things, painted things and I said stuff like, "thin and unconvincing", "turgid and uninspired", "competent and serviceable,"...you know'.
Theological formation is the gradual and often painful discovery of God's incomprehensibility. You can be competent in many things, but you cannot be competent in God.
I really love baseball. The guys and the game, and I love the challenge of describing things. The only thing I hate - and I know you have to be realistic and pay the bills in this life - is the loneliness on the road.
Often the desire to appear competent impedes our ability to become competent, because we more anxious to display our knowledge than to learn what we do not know.
The writer's goal is to try to make it frightening without describing it too much, and yet not making it so grey that you don't know what's going on... Your imagination can imagine all sorts of really horrible things, and if you're able to prolong that feeling, then you've succeeded.
As I've said repeatedly, Republicans are very good at describing things in black and white; Democrats are very good at describing the 11 shades of gray.
I'm not musically trained and I'm not all these other things. I'm creative with a keyboard and a drum machine, but I can't really make these perfect minimal musical executions - all the things that would be nice with all these refined poems.
most Americans are in deep awe of things-as-they-are. Even with everything this obviously out of control, they still tell themselves that those in authority must know what they are doing, and must be describing our condition to us as it really is; they still take it for granted that somehow what is, what is done, must make sense, can't really be insane. These assumptions exercise a tyranny over their minds.
I really am a firm believer that if you're going to do something musically, you really need to know what that music would have sounded like, what those instruments would have been.
When I'm sick of myself, and when I don't know what to say as a solo artist, I can write a song for a movie. When I don't know where to turn musically, being in a band - Rilo Kiley or Jenny & Johnny - the collaborative nature is really exciting.
I don't really know that I'm aware of a lot of the inspiration and influence that I'm under, because I didn't have an extensive musically educational upbringing.
Most of the time, particularly with this record, 'The Light of the Sun,' I really just been standing in front of a microphone and blacking out musically, you know. I'd come back a couple hours later and there's six songs from beginning to end, you know? I don't know what I'm going to say. I don't know how I'm going to say it.
I use a lot of similes and metaphors when I work, simply because it's my best way of describing a building or a scene. I'm terrible at describing landscapes - trees, buildings. The inanimate things don't interest me: I always think, "Oh, no, here comes another building I have to describe." So I usually use a simile or metaphor.
I really love baseball. The guys and the game, and I love the challenge of describing things.
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