A Quote by Paul Thomas Anderson
It felt like the first thing, but when I first started out, I got a job adapting a book by Russell Banks called 'Rule Of The Bone.' I didn't do a very good job. I didn't really know what I was doing in general, let alone how to adapt a book.
Related Quotes
You have to remember that Shadow and Bone' was the first book I sold. And it was, in fact, the first book I ever finished writing, despite many attempts before that to finish a novel. And when I was writing it, I didn't know if anybody was going to buy one book, let alone all three.
I remember going over proofs of this book - my first book - back in 2001, in a bar in Toronto called the 'Victory Cafe', and thinking sadly to myself, 'This is a very good manuscript but not a very good book.' I don't know what I meant by that, but I was pretty heartbroken and sure it was true.
My first job was television. I got to where I wanted to go, but through a little bit of a detour. When I first started working in film and television, I hated myself - I didn't like what I was doing at all. All I could think of was, 'I'm overacting. Be smaller.' I started to do that, but that was not fun. I felt confined doing film and TV.
When I first started, I didn't know what I was doing. I was such a - like a kid that got into things before I was ready. I was like the original learning-on-the-job-experience guy. All I knew was, if I hired the best musicians, I got the best arranger, and got the right songs for the right singer, I had did my job correctly.
If you ask anybody about their life, usually the first thing they talk about is how their wife is doing, how their kids are, they don't usually say "My job, my job, my job". It's really true. It's usually about your family.
I got my first real job, one that didn't involve wearing a hairnet or bending over the hood of a wet car with a towel in my hand, in the early '90s working for CBS Records. While there, I started my first of several rock bands and eventually wrote my first book, the semi-autobiographical novel, 'Don't Sleep With Your Drummer.'
I think I sent one [book] to Brian Eno. I don't know how I got to know his address, but I sent one to him. He called me up and he said, "I really like the book, and I'm starting a new label, would you liked to do something?" It was a tricky situation for me, because I've always had this thing in my life of a tension between collaboration, which was extremely important to me, and then being alone. Make of that what you will!
For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
So, how to stay inside the world of entertainment without actually getting another job? I felt the only logical answer was to become a novelist. So I wrote the first book - driven by some very real feelings of desperation - and it worked.
It's one of those things where the book has all these stars that burn really bright that you hang onto and they're all saying, 'This is The Girl on the Train experience.' All those stars or hooks needed to be in the film, but sometimes they needed to be a bit different. It's important when adapting such a popular book to hit all those points but also break out expectations without slaughtering the book. And that was, for me, the joy of adapting the book.
My first paid job was delivering newspapers. The first paid acting job I got was dressing up as Edam cheese and handing out leaflets on London's Oxford Street. I got pushed over by these little herberts and given a good shoe-in.
I started to read my first book at about the age of six. I started to write a book simultaneously. Not to compete, just to augment. And that's how one starts. Or I started.
My very, very first professional job was when I was 19 years old - I got a job doing an educational industrial film on Shell Motor Oil's oil products. I really put my heart into it - I wrote a script for it, I did a lot of research.
In 1977, when I started my first job at the Federal Reserve Board as a staff economist in the Division of International Finance, it was an article of faith in central banking that secrecy about monetary policy decisions was the best policy: Central banks, as a rule, did not discuss these decisions, let alone their future policy intentions.
I started off first doing a TV series called 'Boston Common.' That was my first big job, and then I went on to do another half hour comedy show, and that was with Tom Arnold, called 'The Tom Show.'
Samantha Bee said to me when I first started on the "Daily Show", she was like no - there is no - the only way you'll learn this job is by doing this job.
Related Authors
Alejandro Gonzalez Inarritu Quotes
Mexican
Director
Ava DuVernay Quotes
American
Director
David Lynch Quotes
American
Director
George Lucas Quotes
American
Director
Guillermo del Toro Quotes
Mexican
Director
John Waters Quotes
American
Director
Judd Apatow Quotes
American
Director
Martin Scorsese Quotes
American
Director
Nicolas Winding Refn Quotes
Danish
Director
Oliver Stone Quotes
American
Director
Peter Jackson Quotes
New Zealander
Director
Quentin Tarantino Quotes
American
Director
Ridley Scott Quotes
British
Director
Steven Spielberg Quotes
American
Director
Werner Herzog Quotes
German
Director
Woody Allen Quotes
American
Director