A Quote by Paul Thomas Anderson
I always had a dream about trying to make a movie that had no dialogue in it, that was just music and pictures. I still haven't done it yet, but I tried to get close in the beginning.
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A movie's a movie - you know I'm a massive old film buff - but it's still something to me, music: I can still close my eyes like I was when I was a teenager, and it can still make me weep or make me angry or make me, even if it's bad music, crack up.
From the very beginning, I've always just wanted to do something I've never done before. I'm still just trying to be on that path. It's all about working with filmmakers that you believe in.
The truth is the music is really an incredible personal part of the movie. When I was drawing the storyboards for Watchmen, I had just gone to my iPod and was grabbing music. It took me about two weeks to really put my playlist together. But once I had it, I kinda just put my headsets on and drew for five months. But that music's the music that's in the movie.
From the very beginning, I always tried to make dialogue flow comfortably; I always did that to make it seem more authentic.
I always say to people when I'm trying to get something going, bringing on other producers or other directors, "You can think of 95 reasons why not to make a movie. You've got to address why you want to make the movie and get it done. Just do it." I tend to live by that rule.
I always shoot my movies with score as certainly part of the dialogue. Music is dialogue. People don't think about it that way, but music is actually dialogue. And sometimes music is the final, finished, additional dialogue. Music can be one of the final characters in the film.
John Lennon was just one of us, another human just trying to get through the day, and help make tomorrow a little better. And he was willing to put his thoughts and feelings about all that into his music, and when he had the chance to speak in interviews. He was only around for a short time, but he learned so much and was willing to give his heart and mind to all of us. What he had to say still resonates with me, with all of his fans.
If you do what you've always done, you just get more of what you have always had. We've now got to dream big and act bold.
I had been right I was still right I was always right. I had lived my life one way and I could just as well lived it another. I had done this and I hadn t done that. I hadn t done this thing and I had done another. And so?
There was a movie I was trying to make right after 'Monster,' a bigger behemoth: the Chuck Yeager story. It was a life dream, but it just didn't line up. We just had issues with the life rights, ultimately.
Conception of a film starts with the music. Always. I hear the movie before I can ever write it. I would say that 80% of the time, that's the successful stuff. It's the other stuff I have to work for to get right, and sometimes it doesn't work out, but the music is always the beginning. So I'm still a music journalist.
I was in the projects dreaming about doing music and now I've done music. When I had nothing to when I had something I still have this driving force that's fueling me every day and that's making ideas reality.
I always had the dream of doing a 'real' infomercial because I had done smaller home shows and fairs. Everyone said it wasn't going to work. 'You need a movie star,' they said. But I wanted to do it myself because I'm selling the passion - there is a problem and I have a solution - that had resonated well with people.
In my late 20s, I realized that I had a very clear social conscience and strong opinions about things like diversity, equality, and education, and while I tried to become more politically literate, I just couldn't catch on. It felt like I had walked into a movie that had already started, and no one would explain what had happened.
I don't have a lot of experiences like this where every time I thought I had a good idea it was totally wrong. I had to give in completely and just try to make the movie Alejandro Amenábar was trying to make.
The stress that we [with Abilities] always feel is trying to continue advancing with our music. That's our plight, it's ingrained in our personalities. We feel like we're trying to race the world of music itself - just trying to create the best music, and as soon as we get done with one piece we're trying to figure out how to top it.
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