A Quote by Paul Virilio
Television is a media of crisis, which means that television is a media of accidents.
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It doesn't matter if it's social media or radio media or television media - it's all media, and it's all marketing. It's about understanding where your fans are. And when you have infiltrated them, and they're satisfied, and there's demand, how do you grow it from there?
Let me say, it's - what a commentary it is on American media that you have to go to Russian television in order to get covered as a candidate in this election. It's pretty outrageous. And our media could solve that in a heartbeat if they actually opened it up, you know, but they don't. So I think that's more commentary on the crisis in our media.
The arrival of television established a mass-media order that dominated the last 50 years. This is a personal media revolution. The distinction between the old order and the new order is very important. Television delivered the world to our living room. In the old media, all we could do was press our noses against the glass and watch.
Television and radio are what I call sequential media; they're not simultaneous media. With simultaneous media, you can scan your eye down an electronic or print page and pick among six or seven stories you might like and want to read. With television and radio, you have to wait until the guy's finished talking about the balloon boy, which I don't have the slightest interest in, to find out that all hell's broken loose in Baghdad. Because they've chosen that day to start with the balloon boy.
Television is the same as the telephone, and the same as the World Wide Web for that matter. People who become obsessed by the peculiarities of these communications media have simply failed to adjust to the shock of the old. People who bleat on about the 'artistic' potential of television qua television are equally deluded.
My definition of media? 'Anything which owns attention.' This could be a game or, perhaps, a platform. Ironically, the media tends to associate media with publishing - digital or otherwise - which, in turn, is too narrow a way to consider not only the media but also the reality of the competitive landscape and media-focused innovation.
I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."
When the people perceive that the print media is reporting what they believe is correct, then they tend to read the print media and to follow news on the television.
These days politics, religion, media seem to get all mixed up. Television became the new religion a long time back and the media has taken over.
When you watch television, you never see people watching television. We love television because it brings us a world in which television does not exist.
We're not a media company. We don't own media. We don't own music. We don't own films or television. We're not a media company. We're just Apple.
And it is that one percent, the heads of large corporations, who control the policies of news media and determine what you and I hear on radio, read in the newspapers, see on television. It is more important for us to think about where the media gets its information.
In this day and age, especially with all the media and television, social media, and the Internet, we are constantly being compared and comparing ourselves to others' lives and journeys. Keep your eyes on your own road.
I think the key divide between the interactive media and the narrative media is the difficulty in opening up an empathic pathway between the gamer and the character, as differentiated from the audience and the characters in a movie or a television show.
Long before social media and even television, enterprising wrestling promoters wisely scouted and signed new stars that would not only help them sell tickets, but also garner publicity from mainstream sports media.
Postman is a media analyst and his theory is that television doesn't influence our culture, but that it is our culture and the presidency and anything that relies on television.
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