A Quote by Paul W. S. Anderson
I'm very impressed and the next movie I do I'm definitely going to use a lot of drones in it, because they're very light and flexible and fast, and there are things that you can do with them that you can't possibly do with a helicopter for safety reasons.
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Things in the ring are definitely bigger, so that you can see them. But the movie world is completely different, and you have to hone things down because when that camera is so tight on you and so intimate and right up in your face, it's going to catch every little thing that you give it, and it's very easy to overdo it.
We were on the dark side of the Earth when we started to see outside the window this soft pink glow, which is a lot of little angry ions out there going very fast. We were hitting them very fast.
With 'Hostel II' I thought I had a very, very strong female audience so I'm going to make a movie that's going to appeal to them. The guys will love it, they'll have their moments. But there'll be a lot more male nudity in this one. I have a lot of sausage in this one!
One of the things I think is very likely is that with the prospects of robust fiscal stimulus in response to voters mad as hell, the Fed is going to be in there with helicopter money. In other words, they're going to be buying whatever the Treasury issues. They're not going to, in effect, advocate strong fiscal stimulus and then not finance it. And that's helicopter money.
Government should have drones. Industries, companies can have drones. Everyone else doesn't need drones. It's just going to create mischief. They are going to be crashing the planes, they're going to be spying on neighbors. People don't need drones.
Fundamentally, as human beings, we're very, very alike and a lot more alike than we think, but we have a tendency to divide the world into them and us. In prison, when people commit a crime and we put them away, they definitely become "them." We don't want to deal with it because they have chosen to step out of society, so we're going to keep them out. Even if they serve their time, we're going to make sure that, for the rest of their lives, they're going to be branded. I don't know how to do it in a different way, but I think it clearly doesn't work.
I talk very slow. I move very slow. I definitely have that Southern drawl and although I never necessarily participated in the activities that go along with screw. I definitely was a huge fan of screw. Because melodically, I don't ever really sing very staccato or very fast. It's really about a groove; it's really about a vibe.
You must know that in any moment a decision you make can change the course of your life forever, the very next person who you stand behind in line or sit next to on an aeroplane, the very next phone call you make or receive, the very next movie you see or book you read or page you turn could be the one single thing that causes the floodgates to open, and all of the things that you've been waiting for to fall into place.
I hunt deer because they aren't capable of higher forms of thinking. All they care about is, 'What am I going to eat next, who am I going to screw next, and can I run fast enough to get away'. They are very much like the French in that way.
The market is moving so fast, there is nothing set into the wall. You need to be very, very flexible.
The movie is in my head and that's the movie. But I'd be crazy to not be flexible. I think because I have the movie in my head, I can be flexible. I know what's going to work and not work and I know, generally, what I can change and bend and have the movie still work.
I do think that the idea of writer's block can be very self-defeating for most writers because it's taking a lot of things that are not only real problems, but that are manageable, solvable problems if you look at them in an individual fashion, and lumping them under the umbrella of something mysterious and vague, which makes it very, very difficult to address what's going on.
In the Premier League it is difficult, the midfield is very congested; there is a lot of pressure and the game is very fast. So it's hard for you to spend a lot of time with the ball; you have to be very fast, you have to think long before the ball reaches you.
I'm very wary of doing political stuff for a lot of reasons. One of the big ones is that the shelf-life for them is not very long, and the joke becomes old news very quickly.
A movie that I'm involved with and have a lot of love for, which is On The Road, does use a lot of handheld. It can be done beautifully. I'm proud of that. It's a very beautiful movie.
A movie that I'm involved with and have a lot of love for, which is 'On The Road,' does use a lot of handheld. It can be done beautifully. I'm proud of that. It's a very beautiful movie.
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