A Quote by Paul W. S. Anderson
I went for a more classical approach to filmmaking with lots of dolly, track and cranes, and slightly slower, more choreographed fight moves, so you get more fight moves in one take.
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The great thing about 'Fargo' is that it's a more objective style of filmmaking: the camera moves in very classical ways, and the most interesting things normally are the characters.
Fight, fight, fight and more fight. If you have that burning desire in you, if you're just one of those guys that does not like losing and you fight and you fight and you fight, that's what makes you a good wrestler.
I started having some memory-loss issues. I took a neurological exam, and they said, "Well, you should stop fighting now." And I kept begging them for one more fight, one more fight, and the doctor said to me, "How much are they going to pay you?" I was supposed to fight three more times, and one would have been for a cruiser belt. So I said, "I just need to fight three more times." He said, "Listen, you can't even get hit in the head one more time, your neuro is so bad."
Even when you spar for real and fight with full contact in training, you get hurt or you hurt someone and you see them trying to fight back. I want to inject as much reality as possible into fight scenes, even if some of the moves are slightly larger than life, if the emotion is there you'll then still be able to buy it. I recall seeing some films where people perform an acrobatic flip mid-fight and land with graceful precision and it's almost like watching Zorro... it's almost whimsical but you're no longer engaged.
Science starts with preconception, with the common culture, and with common sense. It moves on to observation, is marked by the discovery of paradox, and is then concerned with the correction of preconception. It moves then to use these corrections for the designing of further observation and for more refined experiment. And as it moves along this course the nature of the evidence and experience that nourish it becomes more and more unfamiliar; it is not just the language that is strange [to common culture].
I prefer film. I think it moves slower, it gives you a chance to kind of get a feel for things. Sometimes TV moves so fast that you don't even remember what you've done.
A mega fight to me is a fight that I am in and people think I am going to lose. I am the underdog. Golovkin, it's a perfect fight. It's a hard fight, but a fight that I think I have a fantastic chance of beating him. He's not the biggest middleweight, so if he moves up in weight, I am going to have the size advantage.
It's an empirical question whether training makes one more or less likely to get in a fight outside the gym. In some ways, I'm probably more likely to get into a fight, because I feel more competent, and I know what it's cost me in the past to back down from fights, and I don't want to feel that way.
I have to figure out different ways to get into the moves that I do because everyone has a different offense, and I need different counters to go into my moves, and that's more down to tape watching.
I never focus on my opponent - I focus more on myself: knowing what my strengths are, where I can take the fight, how I can win the fight, and the intensity that I'm going to bring to a fight.
The difference is that the money I make from Reebok is per fight, meaning I have to fight to get that money. If I don't fight, there is no money. It's not based on me being a good spokesman or one of the faces of their company. It's a per fight thing. It's a very different thing. It's more like a fight bonus than a sponsorship.
Fight one more round. When your arms are so tired that you can hardly lift your hands to come on guard, fight one more round. When your nose is bleeding and your eyes are black and you are so tired that you wish your opponent would crack you one on the jaw and put you to sleep, fight one more round - remembering that the man who always fights one more round is never whipped.
I got messed up between my fight with Ken Norton and my fight with Larry Holmes; I got messed up with alcohol. I needed at least a year more experience, with three or four more fights before I fought Holmes. But I couldn't get any fights. Don King had all the contenders, and unless I signed myself over to him, I couldn't get a fight.
Depending on what I'm training for, I might do more defensive moves, more counters, more attacks.
There's one thing that people will never know about Tim Duncan: Tim Duncan might know more UFC moves and more fighting moves than anybody in the UFC.
Lately I've been really into screaming a lot through delay [effects], having seven people on stage topless going crazy, stuff like that. Really in your face, but maybe more organic than choreographed dance moves.
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