A Quote by Paul W. S. Anderson
These commercials, I directed them all from inside the tracking vehicle, so I was traveling about 85mph most of the time, so there wasn't really anyone sitting beside me other than the driver. But, you know, yeah the agency is there and VW is there, which is- they're paying for it all and also because the agency created the boards, they want to make sure that you're not going off the rails in executing it. And also they can help, because they- it's a very different thing to cinema.
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So each of the commercials- basically it's an action movie cliché. "Bus" is very much inspired by Speed obviously, where you have a high-jacked out of control bus, and you have heroes who are trying to jump from a moving vehicle to the bus and they just can't do it because the moving vehicle can't get close enough, because all these VW cars have this distancing technology, which is really fantastic.
More than my other films, Uncle Boonmee is very much about cinema, that's also why it's personal. If you care to look, each reel of the film has a different style - acting style, lighting style, or cinematic references - but most of them reflect movies. I think that when you make a film about recollection and death, you have to consider that cinema is also dying - at least this kind of old cinema that nobody makes anymore.
Europe has an incredibly long, bloody history based on an excess of nationalism which has also created a lot of amazing art. The issue is that America also imported a lot of that wholesale, dropped it onto this other big continent over the sea, and that's worked really well so far, but my view is that a little breather is necessary to make sure that - because Europe is about to fall, Sweden is going, Germany is going, France is going, America is going to be the preserver of that inheritance.
What I'm interested in watching is to make sure that they give the right advice now to the contestants who are going forward because, you know, it's one thing just to criticize but you've got to also give, you know, good advice which is going to help them. Overall, I think they're a good panel.
I realized it was like a dating agency: the ions are the lost souls looking for mates; the electrolyte is the agency that can help them find each other.
I think I'm most excited about traveling and shooting and spending time in L.A. I have a great talent agency there and, you know, working with my acting coach and really putting in the time and effort to transition into the acting.
I don't know if it's a misconception, but I often get asked why I always make stories about family and love. Over the years, I´ve also directed commercials, a children's film, and TV - dramas (both comedic and darker), because I always feel the urge to go in a different direction with my next project.
I've always believed certain things: You treat everybody nicely because, more than anything, it's the right thing to do. And then you also never know when someone will be in position to help you or hurt you. I know I've gotten help from a lot of people who said good things about me because I treated them well.
The most fundamental challenge of the anthropocene concerns agency. For those who lived the Enlightenment dream (always a minority but an influential one), agency was taken for granted. There were existential threats to agency (e.g., determinism) but philosophy mobilized to refute these threats (e.g., by defending libertarianism) or to defuse them (e.g., by showing that they were compatible with agency).
It's lonely. That's why, in many ways, the CIA is the world's biggest dating agency, I think. I imagine it's much like two actors that get married because they understand that universe. You know, I'm pretty sure the agency's divorce rate is rather high.
I love what I do and I'm super confident in it, but I also think of myself as humble in it. It's not better than what anyone else is doing, but I'm doing the best job of being exactly who I am, and doing what I want to do today. It feels so good to me that it doesn't really matter what it means to other people because that's more about them than me. I'm in a really great place with it.
For me, there's cinema, which I love and would fight for, and then there's also entertainment, and I see them as very, very different. But sure, I'd love to do a blockbuster. I can't wait for someone to tell me, 'Explosion, run!'
Fundamentally, as human beings, we're very, very alike and a lot more alike than we think, but we have a tendency to divide the world into them and us. In prison, when people commit a crime and we put them away, they definitely become "them." We don't want to deal with it because they have chosen to step out of society, so we're going to keep them out. Even if they serve their time, we're going to make sure that, for the rest of their lives, they're going to be branded. I don't know how to do it in a different way, but I think it clearly doesn't work.
The American public is a very specialized public. The reason it is taken as a realistic film is because inside the fable, I've put that kind of reality in. And it could easily be called, instead of Once Upon a Time in America, Once Upon a Time There Was a Certain Kind of Cinema. Because it was also an homage to cinema.
I'm having to learn to get the balance right, because if you want a full-time career, and you also want to be a mother who is there for your child, then you have to make sure that when you do spend time together, you're really there for them.
It's different when you're in a huge movie and you're being told that you can do whatever you want. It was also really cool because it helped me grow so much faster than I would have, if I did another thing where it was like, "Here's what you're saying, and that's it. Do not go off page."
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