A Quote by Paul W. S. Anderson
Interestingly it's when you come to the comedy, that's where a lot of the discussion is. It's like ten people sitting around talking about what is funny. "Is that funny? Is that funnier than that? Is this slightly funnier than this?" I guess that's what it's like when you're making a comedy movie as well, you just have to sit around talking seriously about the nature of comedy.
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I've noticed, as a comedy fan, that I really like Paul Thomas Anderson or Quentin Tarantino because when they're funny, they're actually funny. It's not like when other dramatic writers have comedy, and I'm just like, 'Well, that's not funny. Why are you even trying to make a joke here?'
I'll tell you one thing... no doubt about it, my favorite kind of comedy is talking head comedy. I mean, if it were up to me, I'd do a whole entire movie that was just around a dinner table.
Comedy people like other comedy people. People hang out and are friends and do shows together, and when you get something going like a TV show or a movie, you want your friends to be in it and make it funnier. That's just the way it should be.
It's like love making, the foreplay is the biggest part, the same thing as comedy. If you can frame your show in such a way that the funny jokes become funnier.
There's an infectiousness to comedy. It's meant to be shared and spread, so I feel like any message that you're talking about through the vehicle of comedy is going to get further than if you just straightforwardly said it.
The movie [ The Innkeepers] is in no way a comedy, but I would put some of the funny scenes up against some of the funnier comedies this year. I think it's genuinely really funny, but it's out of the gallows.
Yet there are some people - Steve Allen would dissect comedy forever; he's a really funny guy, but he would love talking about comedy. I'm doing it right now and you all seem bored.
Comedy clubs sharpen a comic, they're like the gym for us, making us stronger, faster, funnier. Without them every comedy show would feel like a monologue.
As a writer, I haven't delved into dramatic writing. As an actor, I could always, even more so than comedy, do drama. When you do your comedy and your drama, your acting style doesn't change. If it's a comedy, the situations and the characters might be a little funnier, but you're just trying to be honest.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
The more serious the situation, the funnier the comedy can be. The greatest comedy plays against the greatest tragedy. Comedy is a red rubber ball and if you throw it against a soft, funny wall, it will not come back. But if you throw it against the hard wall of ultimate reality, it will bounce back and be very lively. Very, very few people understand this.
There's a sort of magic and music to comedy. Some words, some numbers even, are funnier than others. A Caramac bar, for instance, is funnier than a Milky Way.
I'm actually way more funny now, because I'm hungry... If comedy comes from pain, I should be funnier now than I ever was.
The only thing that I don't like is my kids watching comedy that isn't actually funny. There's a lot of supposed tween comedy on TV that isn't particularly funny, but it's got a lot of laugh track. And I go, 'Please don't watch that. Please just watch something that's actually funny.'
I love 'Another Round.' It's Heben Nigatu and Tracy Clayton's podcast that's through BuzzFeed, and they're real funny and really themselves. And I like it because it's very funny, but it's outside the realm of comedians talking about comedy.
I guess there are no real strict rules [in comedy], but I just learn to apply my philosophy about comedy which is, it's a serious business and the result needs to be funny, not the process.
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