A Quote by Paul W. S. Anderson

I was excited about the fourth movie I guess conceptually because, what I felt we should do it, we should try to make it a conceptual jump like Terminator did to T2. It was still the Terminator franchise, but it was something kind of bigger and grander.
If I would do another 'Terminator' movie I would have Terminator travel back in time and tell Arnold not to have a special election.
I was delighted to be able to do the movie ["Terminator: Genisys"] without getting exhausted or feeling old or tired or anything like this. I felt I was in great shape and I felt really young.
I sort of plunged into filmmaking. I decided I'd jump off the deep end, so I started thinking about what kind of a movie I should try to make.
My friend James Cameron and I made three films together - True Lies, The Terminator and Terminator 2. Of course, that was during his early, low-budget, art-house period.
'Terminator' is one of my favorite films, and so is 'Terminator 2.'
You can argue that the Terminator movies reboot their world each time they go back in time, but that doesn't negate the value of Terminator 1 and 2. So I don't really feel that way.
'The Terminator' is grounded in so much realism. It's again a story that centers around a woman that isn't a 'woman's picture' necessarily. I found it really thrilling, both 'Terminator 1' and '2.' When you watch it it's such fine storytelling.
Because of 'Terminator 2,' you get not pigeonholed but circled as one of those guys who can understand their way through a movie like that and hold it down.
People asked if I could have played the Terminator. Are you kidding? Not a chance, I never could have played the Terminator.
Getting the audience to cry for the Terminator at the end of T2, for me that was the whole purpose of making that film. If you can get the audience to feel emotion for a character that in the previous film you despised utterly and were terrified by, then that's a cinematic arc.
I guess Titanic because it made the most money. No, I`m kidding. I don`t really have a favorite. Maybe Terminator because that was the film that was the first one back when I was essentially a truck driver.
My character was kidnapped by the Terminator and I was kidnapped by the Terminator production.
A good score should have a point of view all of its own. It should transcend all that has gone before, stand on its own two feet and still serve the movie. A great soundtrack is all about communicating with the audience, but we all try to bring something extra to the movie that is not entirely evident on screen.
I never try to guess what anyone else will take from a movie. Every movie is such a different experience for each and every person. I don't like it when people try telling people what they should take from a movie. You should go see it with fresh eyes and see for themselves.
Although The Terminator is arguably the more visionary of the first two films, [Terminator 2] is the more visually and viscerally satisfying. It's an exhausting experience and, even 18 years after its release (as I write this review), few films have matched it within the science fiction genre for sheer white-knuckle exhilaration.
Well, 'Terminator', it's just such an iconic movie in movie history. It's universal. I think it's part of the pop culture of the world.
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