A Quote by Paul W. S. Anderson
DVD ushered in this era when you had to have additional footage, deleted scenes, things like that. There was no call for that back when we were just doing VHS cassettes and LaserDiscs.
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The process of making a movie has expanded in terms of effort and time for the director, doing commentaries for the DVD for example, finishing deleted scenes so they could be on the DVD, and doing things like a web blog.
There weren't any deleted scenes, it was just a matter of tightening stuff. I didn't have any deleted scenes in what I did as far as I know. It's very unusual on Game of Thrones for there to be a deleted scene because the scripts are pretty locked in. There's rarely a reason to say, "Hey, we don't need this scene."
Both as a filmmaker and as a fan I love the behind-the-scenes stuff, I like it even more than deleted scenes frankly. Especially when you're happy with the movie and you're proud of it, those deleted scenes give you also a sense of the making of the film and the process through which you end up with the final product.
In books they don't have deleted scenes, like with DVDs. You could have your deleted scene in a book as well!
I started my Twitter account for selfish reasons: I wanted to have a place to post updates on my book signing tour and stuff like that. I never realized that I'd have so much fun tweeting. It's become the deleted scenes for my DVD of columns and podcasts.
Deleted scenes are like in a middle gray zone. It's like, well, they're deleted because they're not good or you lost the battle and you couldn't put them in the movie.
It's funny; before I started writing professionally, I had a job logging video footage for behind-the-scenes footage for special features.
In something like 'Frank,' which is a comedy, albeit a strange and emotional one, you can absolutely put in deleted scenes, and we did because they were just funny and great, but they weren't necessary in the overall structure.
There really aren't any deletes [in The Hanover movie]. There's like one or two deleted scenes but they're not important or meaningful scenes.
Our producer Jon Davison thought it would be a good idea to put in additional TV scenes. So, they sent me a tape of these additional TV scenes, and I watched them, and I didn't think they were that great. I didn't think it was worth putting them in.
You know, I think the film business is its own worst enemy because it sells movies on DVD footage and 'behind the scenes,' and now it's a real struggle trying to keep storylines and plotlines a secret.
I would just take dolls around the house - there's old VHS footage from my dad, who was an early adapter and had this RCA camera - and it's me taking a Michael Jackson Barbie doll and putting on a show with that.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
When I started analysing games in 2001, I had a DVD recorder. I'd be at home watching the games just on a normal TV, watching what I could and trying to figure out what we would be facing a few weeks later. The problem was, in the team meetings, I'd always have to keep going back and forwards with the footage, trying to get to the right part.
I often found that my favorite scene that I shoot is often one that I cut out, like in 'The Last Castle' and 'The Contender.' If you look at the deleted scenes, some of the best scenes never made it into the film.
When I go to throw a punch, actually, my intention is to hit somebody. That's just second nature to me. So you have to just rewire yourself. It's not something where you have to sit and subconsciously think about it, but you kind of have to just put yourself in that mode and go with it. Learning the fight scenes, I've never had to learn choreography before, so learning the fight scenes was like learning a dance or something like that. I had a little bit of influence in the fight scenes and I tried to put as much influence there as I could, but I had fun doing it.
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