A Quote by Paul W. S. Anderson
Tolkien was influenced by South Africa when he was writing 'Lord of the Rings.' It's really epic scenery.
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The Tolkien estate owns the writings of Professor Tolkien. 'The Hobbit' and 'The Lord of the Rings' were sold by Professor Tolkien in the late '60s, the film rights.
When Peter Jackson did The Lord of the Rings trilogy with Fellowship of the Ring, not everyone had read Tolkien, and yet somehow with that scope and the spectacle of that fantasy, people were willing to give it a shot. And when they watched the first one, the characters drew them in and they started understanding the story. And then, all of a sudden, they were The Lord of the Rings fans, even if they never read Tolkien.
To make three films out of one shortish book, they have to turn it into an epic, just as 'Lord of the Rings' is an epic. But 'The Hobbit' isn't an epic: its tone is intimate and personal, and although it's full of adventures and excitement, they're on a different scale to those of the bigger book.
There is grand romance in The Lord of the Rings. It's an important part of epic literature.
Tolkien is eminently filmable, I think. 'The Lord of the Rings' is intensely... landscaped. But 'Discworld' is about dialogue, which is one reason why it might be hard to film.
My first score for 'The Lord of the Rings' trilogy, 'The Fellowship of the Ring,' was the beginning of my journey into the world of Tolkien, and I will always hold a special fondness for the music and the experience.
I grew up reading 'Lord of the Rings' and comic books, so that kind of epic quality I like.
The Beatles once approached Stanley Kubrick to do 'The Lord Of The Rings.' This was before Tolkien sold the rights. They approached him, and he said, 'No.'
I thought that there might be something unsatisfying about directing two Tolkien movies after 'Lord of the Rings.' I'd be trying to compete with myself and deliberately doing things differently.
I'd never heard of the 'Lord of the Rings', actually. So I went to the bookstore and there it was, three shelves of books about Tolkien and Middle-earth, and I was like, 'Holy cow, what else am I missing out on?'
And now South Africa has finally woken up and it is doing great things. And if South Africa becomes the template to what AIDS is in the sub-Saharan continent, then all the other countries are going to follow suit. And Michel Sidibe, who spoke at the breakfast meeting this morning, was saying that there is so much hope for Africa now that South Africa has got its house in order.
I love really epic films. I really like 'The Princess Bride,' 'Lord of the Rings.' I really like 'Star Wars.' I love 'Harry Potter.' I'm obsessed with 'Harry Potter.'
J.R.R.Tolkien has confessed that about a third of the way through The Fellowship of the Ring, some ruffian named Strider confronted the hobbits in an inn, and Tolkien was in despair. He didn't know who Strider was, where the book was going, or what to write next. Strider turns out to be no lesser person than Aragorn, the unrecognized and uncrowned king of all the forces of good, whose restoration to rule is, along with the destruction of the evil ring, the engine that moves the plot of the whole massive trilogy, The Lord of the Rings.
The Lord of the Rings' is fundamentally an infantile work. Tolkien is not interested in the way grownup, adult human beings interact with each other. He's interested in maps and plans and languages and codes.
When I was in government, the South African economy was growing at 4.5% - 5%. But then came the global financial crisis of 2008/2009, and so the global economy shrunk. That hit South Africa very hard, because then the export markets shrunk, and that includes China, which has become one of the main trade partners with South Africa. Also, the slowdown in the Chinese economy affected South Africa. The result was that during that whole period, South Africa lost something like a million jobs because of external factors.
I think all of my writing life led up to the writing of 'The Train Driver' because it deals with my own inherited blindness and guilt and all of what being a white South African in South Africa during those apartheid years meant.
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