A Quote by Paul W. S. Anderson
I can't remember who said, 'No film is completed, just abandoned,' but I think most filmmakers will tell you that they could endlessly fiddle with their films for the next couple of decades, you know, changing things, altering things.
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The consumption of information, films, music has been changing in recent decades. It's hard to know what will become the film that can not easily reach [audiences].
We'll all remember 2020 as an historic year. And for decades, people will be able to say, remember 2020. Remember when things were really tough. Who did we rely on? I think that could impact a whole generation.
There are certain filmmakers I'd like to work with that I don't think would take a risk with me, because I could be distracting in their film. It'll take a couple films to prove to them that it's worth the risk.
So, the next film won't necessarily be modern-day Albany, Georgia but we're grateful for the films we've made (with Sherwood). The church is an amazing church. We're gonna grow as filmmakers and invest in the next generation of upcoming filmmakers and try to duplicate what we're doing.
When things are taking their ordinary course, it is hard to remember what matters. There are so many things you would never think to tell anyone. And I believe they may be the things that mean most to you, and that even your own child would have to know in order to know you well at all.
There will be ups, there will be downs, there will be sideways. I can just tell you I have been hired, I have been fired, I have been lauded, I have been vilified. I've said some of the most brilliant things that just by accident appeared on my tongue, and I've said some of the dumbest things that you could imagine. But each day - even the day that I knew I was going to be fired - I looked forward to because I've always believed that tomorrow was going to be the best day of my life.
When I was in Hungary in December I was looking at student films and I could not tell which ones were shot on film and which ones were shot digitally. I think that is because the filmmakers in Europe go to four years of film school and learn the techniques.
If we could turn around and stand back, then we would see the whole complete pattern. And therefore what we have to do in this lifetime is to perfect this pattern, so that it will continue a most beautiful pattern next time and next time and next time and next time because we vowed until samsara is empty! Now, that's going to be a long time, so you'd better get prepared for the long haul, and the best way to do that is to really prepare yourself as much as possible in this lifetime, and not waste your opportunities so that we can genuinely benefit beings, endlessly, endlessly, endlessly.
People are dying to tell you their secrets; it's just a matter of getting the conversation going in the right direction. If you just let people fill the silence, they will let you the most extraordinary things. I sometimes wonder if afterward they remember what they've said.
When you think of things like The Sopranos, The Wire, Damages, they are beating film on a regular basis. Most films are terrible. It's only the 2% that are good. There's things you can do on TV which you can't do on film. There is something about those episodic, serialisations that are grand and operatic.
I will say that comic books are not the easiest things to translate to film, number one. Even the most well meaning of filmmakers find what's acceptable on the printed page is very difficult to bring to film.
I don't know if I'm the most religious guy, but I think I'm a spiritual man, and these are the things I think about a lot. In terms of the film, I think 'The Grey' is very much a non-denominational kind of film. I don't think it's something that relies on a particular religious bent to tell the story.
I think if people who are attacking me or against me, if they would just watch one of my films, they would - they may not agree with me politically on all the things I'm saying. But they will know at the end of the film that I love this country and that I have a heart. And they'll have a good laugh throughout the film.
Even before the economic crisis in Greece there was no structure for making films - no proper industry, and the structure didn't help filmmakers at all. So filmmakers had to help each other, and make very, very low-budget films. Now with the crisis, things got a bit worse, but filmmakers are still going to be making films. It didn't change that much.
Women study things in order to figure out how they're connected to other things. I don't know if it's controversial to say that, but that's what I've seen from doing science for a couple of decades.
When filmmakers are kept from making films, there's a lot of different reasons why. Sometimes you work on a film and cast it and do all the work and can be just a month away from shooting, and all of a sudden, the whole thing goes up in smoke. But I do think the advent of a digital revolution is going to provide people with opportunities to make films that they never would have had before. I think you can do some pretty credible stuff now with very, very little money. Which I think is great for young filmmakers.
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