A Quote by Paul W. S. Anderson
Every time I go to Japan and meet Capcom, it is like going to see the Umbrella Corporation. You ask them things, and they won't give you a straight answer about anything.
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Every time I go to Japan and meet Capcom it is like going to see the Umbrella Corporation. You ask them things and they won't give you a straight answer about anything.
If you ask any referee before the game - they ask me if I have anything to say, I tell them 'I'm going straight up.' Every time. Every game. And they know that and they say I'm one of the best at it.
You'll wrest a burning sword from an angel, but you're afraid of bats?" "I'm not afraid of them. I just don't like them. They're...furry. Flying things shouldn't be furry. It's not right. And if I ever meet the Creator, I'm taking that one up with him." "That I'd like to see. Your one and possible only chance to get the answer to every question in the universe, and you ask, 'Why are bats furry?'" "I will. You just wait.
You have to have honesty to the product. You have to meet consumer expectations. You give them value for their money and give them a product that they need. I don't see anything wrong with all these things. And I don't think it's a bad thing to meet consumers' expectations.
Every time I give a straight answer and read it in a magazine, I say, 'Ouch.' One day I'd like to talk to a psychoanalyst about why celebrities reveal so much of themselves in interviews.
All my stepchildren carried the burden of my fame. Sometimes they would read terrible things about me, and I'd worry about whether it would hurt them. I would tell them: 'Don't hide these things from me. I'd rather you ask me these things straight out, and I'll answer all your questions.'
Never give up and don't ask why because every situation does not need an answer. I'm a firm believer that I don't worry about anything I can't control.
I am always looking for inspiration. I always live in big cities where I can go every day to a museum, see a lecture, meet people that are artists, go to the cinema. For me, it's like food. It is necessary for my personal growth as a person to grow as an artist, I go basically every week to three or four things. But it's real life that inspires me - when I meet somebody, when I see something.
But anything that you hear about Japan is nothing like what you see when you actually go over there and see it, you know, in a real situation.
I tell all the rookies that come into our series and all the young drivers they can come ask me anything at any time, and we'll give them the straight shoot.
When you go to a voice-based interaction, you can't tell people, 'Ask me this question and structure it in this way.' And if they ask a question, and you have a bad answer, first time, maybe they'll be okay with it. Third time, they're going to say, 'This is a complete waste of time. I'm going away.'
I think that I work hard to make my music as a diary for new generations who find out about it years later. They can go through the history and see a trail. It's straight and narrow, you can see the growth and understand that I'm not afraid to give you honesty and be honest about anything that has to do with my story.
I've never been able to keep track of an umbrella, but then my dad gave me this fancy umbrella. It was in his car, and I had again lost some awful Duane Reade disaster umbrella. It was my first adult umbrella that wasn't from a drugstore, and I have left it all over New York, and every time, I went back to get it.
Many people ask me about WWE and if I'd go to WWE in the future. They ask me if I'm going now. I will not go. I want to make New Japan Pro-Wrestling bigger.
First of all, a giant corporation probably shouldn't be being hacked by teenagers. I put that on the corporation, not the teenagers. Teenagers are going to do what teenagers are going to do - rebelling. But if they're able to hack a big corporation, that seems like the corporation should be better at security.
We ask ourselves all kinds of questions, such as why does a peacock have such beautiful feathers, and we may answer that he needs the feathers to impress a female peacock, but then we ask ourselves, and why is there a peacock? And then we ask, why is there anything living? And then we ask, why is there anything at all? And if you tell some advocate of scientism that the answer is a secret, he will go white hot and write a book. But it is a secret. And the experience of living with the secret and thinking about it is in itself a kind of faith.
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