A Quote by Paula Kelly

By the time I started to study, it was a conscious decision. It wasn't just something my mother wanted for me, as it is with most of those little girls. So I really worked at dancing - from 8 A. M. to 10 P. M. every day - and I loved it.
There was things just like not being able to date or - I'm talking like 15, 16 - like just certain things that my friends started to do. Like, they started to get phone calls from girls or like, you know, go and hang out 10, 11 at night, kind of going to the movies. There were just certain things that - it's not that I couldn't do all of those things. It's just that every choice was really deliberate and conscious and thought out and sort of balanced against the religion in a way where I felt - I wasn't necessarily trying to convert at 12 like [my mother] was.
Tap dancing and basketball started at the same time, and when I was eight, I just kind of made the decision that entertainment was really where I wanted to be.
I've been dancing since the age of two. I don't really remember it, because I was little, but my mom signed me up and would put me in cute costumes. A lot of little girls get into dancing, but I loved it so much that I kept doing it.
I started salsa dancing with a few different companies and started touring the country. It was fantastic, but I realized that I really wanted to talk every time we were performing. That's a problem because when you're dancing, if you stop to talk, that's not really cool to the other dancers.
I've loved Kevin McDonald's movies for a while and it was an amazing experience because he really wanted to do something different. It was by far one of the hardest things I've ever done, to wake up every single day and know that you're going to be freezing cold and wet, every single day, 10 times a day, and there's no getting away from it.
The place that I worked I used to joke about it. There was a, every morning at 10:30 I'd come into work and I'd go into this cubicle that had a little upright piano and fake white cork bricks on the wall, and a little slate that came out of the wall that you could actually write on. And a door that locked from the outside. Every day from 10 to 6, we'd go in there and pretend that we were 13 year old girls and write these songs. That was the gig.
I never want to feel complacent, and I had started to, a little bit. I had started to feel like "I have this thing I can do, it's worked a few times," but not only does that get boring, but you feel stagnant and unproductive. So I was feeling a lack of creativity and motivation, so I started making a more conscious choice to grow personally. It wasn't even an image-conscious thing, like, "I don't want people to think this way about me." It was really just a way to keep myself energized and feel excited about this thing I love doing. Like I went to couples therapy or something.
It wasn't me. I couldn't go on set every day, get my hair curled for hours and sit with all that make-up. It just didn't do it for me. I took a conscious decision to stop working in Bollywood movies at that time.
I always was drawn to the performing arts. I started dancing when I was two. I sang, loved to act, and loved going to visit my mom on-set. But she wanted me to have a normal childhood, so I wasn’t really allowed to pursue acting till I got older.
I started dancing when I was about four, and my mother put me into dancing school, and I did every type of dance there is.
Every time I start to get worked up over something, I just think to myself, 'Is this really going to matter in my life tomorrow, in an hour, in a year?' You just can't get stressed about the little things 'cause it's just not worth it at the end of the day.
I remember when I first started playing tennis, it was always my sister dressing me. She wanted me to look good. And then it really became a routine for me. It doesn't consume too much of my day, but it's something I always pay conscious attention to.
I started doing 'figures', then, one day, all of a sudden, I started doing abstraction. And then I started doing both. But it was never really a conscious decision. It was simply a question of desire. In fact, I really prefer making figurative work, but the figure is difficult. So to work around the difficulty I take a break and paint abstractly. Which I really like, by the way, because it allows me to make beautiful paintings.
The yearning for study was always there. I loved to learn. I really enjoyed studying history. Taking college classes was just something I wanted to do. It gave me such a feeling of satisfaction.
Yes, I started piano and classical singing, I wanted to study jazz, but I tried to go to the Polish University of Jazz, but they didn't want me. In Krakow, I wanted to conduct, they didn't want me. And I start to think, 'I have to do something.' In Krakow there was drama and music. I started to study.
When I was in Phoenix, people started noticing and looking every day to see what I was wearing, but it never really affected me. When you do this every day, it's just something you do. Even in Europe I was getting dressed up for every single game. Nobody may be watching but it's just me. It's how I live and it's how I move.
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