A Quote by Paula Wall
History, of course, is never real. People either glorify it or horrify it. Or at the very least color it.
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As people of color, we're left out of history. History is sort of told around us. We're bystanders, we're passive, we're observers. We're never the center of our history.
Confessionalism relates to writers of color. I think confessional poetry is in its way very Catholic, capital C. One of the formative ideas of Confessionalism, beyond psychoanalysis, is a very actual fall from grace. And, at least in America, people of color never occupy that position of grace the way that white people do. So I think that in some very actual ways the confessional mode, strictly speaking, is not possible for non-white writers.
My understanding – of course, I’m not a philosopher or a scientist – of an aspect of Goethe’s theory of color is that he felt that color came out of tension between light and dark. I think that is very appropriate when you think about the kind of color that I shoot.
Know thy history. Let it horrify you; let it inspire you.
I see my job as trying to entertain you, to be balanced in some way, and morally responsible. I don't want to glorify a killer. I don't want to glorify a rapist. I don't want to do those things, but on the other hand I don't want to lecture to you, either.
There's a lot we should be able to learn from history. And yet history proves that we never do. In fact, the main lesson of history is that we never learn the lessons of history. This makes us look so stupid that few people care to read it. They'd rather not be reminded. Any good history book is mainly just a long list of mistakes, complete with names and dates. It's very embarrassing.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
This being Black History Month, I would like to ask people to celebrate the similarities and not focus on the differences between people of color and not of color.
One of the things that is wonderful about hymns is that they are a sort of universally shared poetry, at least among certain populations. There isn't much of that anymore either. There are very few poems people can recite, but there are quite a few hymns that, if you hum a few bars, people can at least come up with two verses. Many of the older hymns are very beautiful.
The real invasion of South Vietnam which was directed largely against the rural society began directly in 1962 after many years of working through mercenaries and client groups. And that fact simply does not exist in official American history. There is no such event in American history as the attack on South Vietnam. That's gone. Of course, It is a part of real history. But it's not a part of official history.
I'd never imagined myself writing at all until I was almost 30. And horror films weren't to my taste, at least the super popular (slasher-y) ones of the day back then. The first novel I ever loved as a kid was Frankenstein, and I was always a crazy Hitchcock and Polanski fan... but I never saw myself - a square spazzy girl from the suburbs - writing anything that would horrify anyone. Or so I thought.
All great people glorify their history and look back upon their early attainments with a spiritualized vision.
Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.
It felt like a very, very weird thing to go on the set on September 13th. I would never want to glorify that.
I've never excluded myself because of color. It's never been part of the radar, when I look at anything I do. The majority of the roles that I've played have had very little to do with being black. It doesn't matter what color you are.
Indecisiveness and procrastination are the chosen ways of life for most people. They follow the course of least resistance, which is to do nothing. This provides a security blanket of never being wrong, never making mistakes, never being disappointed and never failing. But they will also never succeed.
