A Quote by Pauletta Pearson Washington
If it's a story that I feel is exciting and necessary, those are really motivating factors for me.
Related Quotes
I think in some ways, I would go back home, and I didn't really quite fit in and couldn't - didn't have a person to bounce those experiences off of. So I felt a little bit trapped within me, and it made me feel lonely because I really couldn't - the things that were exciting to me, I couldn't really share those with another kid and that other kid understand that.
I'm one of those people who likes a good G-rated movie. So many of my favorite movies are G-rated. I think it's exciting to see a director really push the limits of how exciting a story can be told without ever crossing the G-rating line.
So I think the biggest thing that I've learnt in my career is not allowing external factors to determine my self-worth - external factors being what coaches think of me, the amount of playing time I get - not allowing those things that actually are out of my control affect how I feel about myself.
Obviously, the 'Glow' show is a real feminist story. I knew it would be about female empowerment, and that was really exciting to me. Having some distance on a period show, I think you can really delve into those kinds of political topics in an in-depth way, and a lot of that reverberates today.
It's always exciting to be a part of the development and creative process, and I hope to continue to do it. I feel like, especially in the comedic world, it's how things have to be done. You have to be a part of the motivating factor of getting the movie made. It's so hard.
I really feel that actors should really know who they are as characters; they should really study their lines; they should be prepared; but once they come to set, for me the most exciting way to shoot a scene is to really find it, really kind of grind your way through it, until you feel like you have something that you can put together.
It's both exciting and scary, I feel my heart and skin when I receive a ball. Of course I'm excited and scared but those emotions make me feel alive.
I've often been accused of, 'Oh the movies looked good but there's no story,' but I disagree with that in theory, and '9' is a perfect example for me because the feel, the texture, and the look of that world, and those characters, is the story. That's a major component of why you feel the way you do when you're watching it.
I feel really fortunate and grateful that not only do I get to do what I love, but I get to do it and serve a conversation that I feel is necessary culturally. The fact that I get to bring those two passions together is amazing to me - that I get to use my art in order to inform my activism and vice versa!
The best motivating is self-motivating. The guy says, "I wish someone would come by and turn me on. "What if they don't show up? You've got to have a better plan for your life."
In terms of theater itself, no story is too strange or method of telling it too impossible these days. In many ways, musical theater has caught up with straight theater in that it's allowed more surreality and breaking of form, and that's really exciting to me - the challenge is getting people to produce those shows.
You have to do three things really well to make a successful film. You have to tell a compelling story that has a story that is unpredictable, that keeps people on the edge of their seat where they can't wait to see what happens next. You then populate that story with really memorable and appealing characters. And then, you put that story and those characters in a believable world, not realistic but believable for the story that you're telling.
Just to get a job is always really exciting to me. I do feel there's a lot left for me to learn about movies, the subtleties of acting.
One of the greatest motivating factors is the pat on the back, although with some individuals, you have to make the pat a little lower or a little harder.
Vera said: 'Why do you feel you have to turn everything into a story?' So I told her why: Because if I tell the story, I control the version. Because if I tell the story, I can make you laugh, and I would rather have you laugh at me than feel sorry for me. Because if I tell the story, it doesn't hurt as much. Because if I tell the story, I can get on with it.
I have to feel something emotionally on the story to be able to write for it. I turn things down if I don't feel I'm really right to tell that particular story.
