A Quote by Pedro Almodovar
All my movies have an autobiographical dimension, but that is indirectly, through the characters. In fact I am behind everything that happens and that is said, but I am never talking about myself in first person. Something in me - probably a dislike of cheap exhibitionism- stops me from approaching a project too autobiographically.
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All my movies have an autobiographical dimension, but that is indirectly, through the personages. In fact, I am behind everything that happens and that is said, but I am never talking about myself in first person singular.
I’m not ashamed of what I am - of how I pass through this life. What I am has given me the strength to do it. At my lowest ebb I have never contemplated suicide. I value what is here too much. I have a contribution to make. I am not just take up space in this life. I can add something to the lives I touch. I don’t like everything I know about myself, and I’ll never be satisfied, but nobody’s perfect. I’m not sure where the next years will take me - what they will hold - but I’m open to suggestions.
When I do an impression of someone or when I am pretending to be someone else, something freaky happens: I feel the person I am mimicking behind my eyeballs. Their head is sitting perfectly inside mine, helping me project a false self out on to the world. And it's not always a choice.
But for me there is neither Monday nor Sunday: there are days which pass in disorder, and then, sudden lightning like this one. Nothing has changed and yet everything is different. I can't describe it, it's like the Nausea and yet it's just the opposite: at last an adventure happens to me and when I question myself I see that it happens that I am myself and that I am here; I am the one who splits in the night, I am as happy as the hero of a novel.
When you do an interview with me, you're talking to a cheap imitation of the person that I really am. There's no magic in my words, it's just me talking.
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
I am looking for movies that are actually about something and that are questioning something. Movies that are provocative in some way and I am also looking for roles that I think will force me to grow or learn something about myself or the world in order to play them well.
When I sat down to write I just felt like a geek writing about myself. And then it dawned on me, just because of the way I am, I can't stop talking, and part of the problem is that anything that gets said reminds me of something that happened to me one time, and invariably I cut people off and talk about myself.
Chronicle Books is a wonderful book company. I love how everything represents who I am. The Diva Rules! is not an autobiography in the sense that I am talking about my life but more about my journey as to where I am now. People told me I would never make it. I was staring in the face of adversity and did it anyway. I chronicle it through the years. It is about finding your strength.
The fact that we're all hyphenating our names suggests that we are afraid of being assimilated. I was talking on the BBC recently, and this woman introduced me as being "in favor of assimilation." I said, "I'm not in favor of assimilation." I am no more in favor of assimilation than I am in favor of the Pacific Ocean. Assimilation is not something to oppose or favor - it just happens.
Celebrate me for who I am, dislike me for what I ain't (...) put me up on a pedestal or drag me down in the dirt (...) this is who I am, you can like ir or not, you can love me or leave me cuz I'm never gonna stop
I find that I don't lie about the big things in life. The things that matter. And about me. While I'm talking about myself, I rarely lie: I know who I am, my level of talent, that I'm not the most versatile filmmaker, the person I am. I don't lie about myself because I don't lie to myself.
I am no longer fearful or uncomfortable about showing myself. And I realized I shouldn't get ahead of myself and lock myself in fear and worry even before something happens. I think these thoughts are what make me realize that I am maturing, going from my 20s to a full-fledged adult.
I'm more interested in talking about what I do. And I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker. But it's true: If you know something about a person outside of the movie that is really repulsive to you, it's hard to shake. So I prefer to do my speaking through the work. I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through these characters. The other stuff is personal and too easy to trivialize out of context.
The first thing, when I read the script, is that I need to care about what happens and feel compelled by the story and engaged by the characters. It needs to resonate with me, even if what the characters are going through is not something that I have experienced in my life. I have to feel like it has some sort of meaning to me.
Who am I? this or the other?
Am I one person today and tomorrow another?
Am I both at once? A hypocrite before others,
and before myself a contemptible woebegone weakling?
Or is something within me still like a beaten army fleeing
in disorder from a victory already achieved?
Who am I? They mock me, these lonely questions of mine.
Whoever I am, Thou knowest, O God, I am thine!
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