A Quote by Pedro Almodovar
I was born at a bad time for Spain, but a really good one for cinema.
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Good cinema is good cinema. It makes you feel like you need to work. Just yesterday I saw a good film, but even if I'd seen a bad one, I'd feel, "Oh my god, what a bad job, I can do better."
My family came over from Spain about nine generations ago. I was born in San Diego, but by the time I was four days old, I was on a flight back to Spain because that's where my family was living at the time.
I know there is one kind of cinema that exists in the world, that is good or bad cinema.
I believe there's only good cinema and bad cinema.
There are different cinema traditions in France, Spain and other European countries. There's a much stronger intellectual tradition: cinema is seen in a more serious way.
Castilian Spanish-speaking Spain is big, but is bigger in addition with Catalonian-speaking Spain, Galician-speaking Spain and Basque-speaking Spain. Democratic Spain, Constitutional Spain, can not be separated from diversity and the respect to the citizenship.
In the theater you can chain a blue-assed baboon in the stalls and with a good script, good actors, and a good set you'd have what is called a production. With the cinema someone has to know about lenses and fine things. I have no time for the "auteur de cinema." To me, it's meaningless.
I had lived in France before graduate school, but because of Spain, I had a lot of the characters go and spend a good bit of time in Spain.
My cinema - the '50s, '60s - is different from the cinema today so I thought that it would not be bad to show that kind of cinema where we could dream.
The third line of cinema today is neither art nor commercial but categorized as good and bad cinema. I think two films - 'Main, Meri patni aur Who' and 'Main Madhuri Dixit Banna Chahti Hoon' were the base films for this new line of cinema.
My father was born and raised in Havana, Cuba. His family is from Spain. My father never taught me how to speak Spanish when I was little. That's very disappointing to me. I'm still planning on learning it on my own. I really want to travel to Spain and immerse myself in the culture and learn it on my own.
What I'm really trying to do is recreate classic Hollywood cinema and classic genre cinema from a woman's point of view. Because most cinema is really made for men, how can you create cinema that's for women without having it be relegated to a ghetto of "chick flick" or something like that?
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
Good cinema is what we can believe and bad cinema is what we can't believe. What you see and believe in is very much what I'm interested in.
Cinema is not Bible writing. It doesn't teach you morals, good values to live. Cinema is not meant for that. If you're looking at cinema that it'll tell you good values then you're mistaken.
We have the talent, just not the money and not the audience. People in France don't really like fantasy. You need to go to Spain, England and Germany for that. Many of the people from my crew come either from Spain or England. But I hope to be able to work with them again and I wish to create European cinema on that scale. It could happen and attitudes may be changing. Animated fantasy movie Despicable Me was made entirely in France, so there is the talent here and now maybe the desire too.
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