A Quote by Pedro Almodovar

If I'd lived like my characters, I would have been dead before I'd made 16 films. — © Pedro Almodovar
If I'd lived like my characters, I would have been dead before I'd made 16 films.
Most people don't really understand what it takes to get a film made, and the struggles. I think anyone who makes a film goes through their own set of struggles. People go to extraordinary lengths to get films made. I hope it's of interest to people. One would think that it would be very easy, with an iconic character like James Bond, to keep making the films, but it hasn't been. But, it sure has been entertaining and rewarding.
In ten years, or certainly before then, I'd like to not only be continuously busy as an actor playing tormented, playful characters in film and television but also have gotten a few of my own films made.
When I started acting in the film industry when I was 16 years old, in 1980, I was going to all the revival theaters in Los Angeles. They were playing mostly films from the '60s and '70s, some from the early '20s and '30s, before that Hays commission. Those films did question things a lot, and there definitely was a switch in 1934. You can see very distinctly in 1934, it's harder to understand what the real culture was. Films made before 1934, you can really kind of see the racism, sexism, drug use, etc. that was going on at that time. And then it was all stopped.
There's been almost a dozen films that have been made against me. There's actually more films made attacking me than films I've made.
I've been so transient, I've been on my own since I was 16. I didn't even have my own place until I was 32 years old. I literally lived out of bags for 16-plus years.
I love Sam Raimi. 'Evil Dead 2' is one of my favorite films. It's one of the best cheaper horror films I've ever seen. Horror films and suspense films can be made on a low budget without big stars and be very effective.
I loved going to films, but as far as a movie buff, when I came into the movies at 16, life changed a little bit for me, from an onlooker to a person that lived within the industry. So now I would call myself a different sort of fan.
He had been someone before. That person had been the result of a lifetime of choices, good and bad. And like it or not, he was drawing closer to that identity now. Not the freedom of infinite variety, but the tyranny of a decision made, a path walked, a life lived. What if he didn't like the view
There's a thing I really mind hearing, when someone says: "That's not my kind of film, I don't want to go and see that..." I don't believe that, I don't believe that it's possible to write off a whole genre of filmmaking - "oh I don't like subtitled films", or "I don't like black and white films", or I don't like films made before or after, a certain date" - I don't believe that.
There is in life only one moment and in eternity only one. It is so brief that it is represented by the fleeting of a luminous mote through the thin ray of sunlight - and it is visible but a fraction of a second. The moments that preceded it have been lived, are forgotten and are without value; the moments that have not been lived have no existence and will have no value except in the moment that each shall be lived. While you are asleep you are dead; and whether you stay dead an hour or a billion years the time to you is the same.
There have been times where I have been playing a 16-year-old, and people have been like, 'She still looks 12.' I'm like, 'I'm 22. What do you mean I don't look 16?' So I'm comfortable just rocking my young body.
Is it strange for me to say that if I were to die today, there’s not a thing I would change? I’ve lived well. Maybe I have made mistakes and been through my fair share of pain but all in all, it’s been okay. I’ve lived well.
I made films, like 'Shadow of the Vampire,' and I did not like the work I did on it and then Willem Dafoe was nominated for the Oscar. I made films like 'The Adventures of Pinocchio' with Martin Landau. I thought I would get nominated and it flopped. You never know.
The buried code of many American films has become: If I kill you, I have won and you have lost. The instinctive ethical code of traditional Hollywood, the code by which characters like James Stewart, John Wayne and Henry Fonda lived, has been lost.
When I went to college, I lived on campus, and the guys I hung out with made the characters in Revenge of the Nerds look like the Rat Pack in 1962. I, myself made that kid Booger look like Remington Steele.
I'd like to get into the superhero genre. I'd love to do either a DC or a Marvel character. I just love the way they're approaching these characters in these films. I also would love to get back into some romantic films. I love romance films, especially between people of color, because we don't really explore that enough. I would love to do that.
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