A Quote by Pedro Almodovar
After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception.
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Every movie that I've had to really knock down the door for has been an enormous success for me. Not just like a financial success but a real personal success.
I think Trump wanted to use his 2016 campaign to basically say to a lot of folks that liberals hate you. And we have to show a bolder economic plan than we have before, one, I think, that needs to be focused on jobs, that communicates to those voters that we do care, that we care as much about their success as any other success, anyone else's success.
I think my mother became the muse because she had everything when she was in Hollywood: she had the marriage, the success, the money, all the films she wanted to do and yet even her, she had a longing and wanted to work with a film that had meaning, something more profound. And I think that was very touching to father.
You have to practice success. Success doesn't just show up. If you aren't practicing success today, you won't wake up in 20 years and be successful, because you won't have developed the habits of success, which are small things like finishing what you start, putting a lot of effort into everything you do, being on time, treating people well.
The perception about me has changed to a certain extent after the success of 'Sonu Ke Titu Ki Sweety.'
You know, I start with the assumption that -or with, with the belief that this president has to succeed. We all have an enormous amount of capital invested in his success. His success is the country's success.
It's not to say I don't want African players to hustle and play hard, but I also wanted to show we can do more. We can dribble. We can have high IQs. We can pass the ball. We can shoot. I wanted to make sure I changed the perception.
A lot of the Republicans wanted exactly what Barack Obama wanted, exactly what Nancy Pelosi wanted, exactly what Harry Reid wanted, which is to raise the debt ceiling, but they wanted to be able to tell what they view as their foolish, gullible constituents back home they didn't do it.
I started running because my neighbour, Patrick Sang, was an athlete and I wanted to be just like him. Patrick came from the same village as I do and my mother used to be his teacher. I was so inspired by his success.
Marlon Brando changed everything for actors. After him, everyone wanted to be Marlon. No one wanted to be a type: they all wanted to display versatility in every role.
I wanted to travel. I wanted hit records. I wanted success. I wanted respect, but not credibility - that's one thing Boyzone never looked for.
And that is also what the movie's about, going beyond success, what is success 'cause I think success is misperceived as just a cake and it isn't. There is many things inside that success. There's a maturity and a heartbreak and sadness and broken glass.
When 'If God Was a Banker' became a success, it changed my entire perspective. I wanted to write more and wanted to be lot more successful as a writer.
The difference between this film [Your highness] and Pineapple Express was pretty much in the logistics of the technical ambition of the movie, and the size and scope of the movie. Pineapple Express was a great success, and that was something that we wanted to capitalize on, but we wanted this movie to be bigger, more adventuresome, bring a bigger audience to the movie, and challenge ourselves to do something new.
My numbers and my stats were exactly the same. I was doing what the coaches wanted me to do. And what I had been doing up to that point was enough to get me a very well-paying contract with the Vikings. ... In my mind there was only one thing that had changed from the year before and the year I got cut: And that was I started speaking out in support of same-sex rights.
After the success of 'Rumours,' we were in this zone with this certain scale of success. By that point, the success detaches from the music, and the success becomes about the success. The phenomenon becomes about the phenomenon.
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