A Quote by Penelope Spheeris

There are thousands of directors in Hollywood. — © Penelope Spheeris
There are thousands of directors in Hollywood.
I thought that Hollywood was just for geniuses and that directors come from three generations of directors. I was worried that I was not up to the challenge of making a movie. Then realized that all a director has to do is know what he wants to do.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
A lot of new American directors have had mentors who have given them advice. And some of them have had the way paved for them by huge Hollywood directors who saw a younger version of themselves.
It's a chain of accidents. When you step into Hollywood, you wind yourself into thousands of chains of accidents. If all of the thousands happen to come out exactly right-and the chance of that figures out to be one in eight million-then you'll be a star.
After 50 years in the motion picture business, I'm still learning my trade. This recent shoot of 'Mandie and the Secret Tunnel' was a revelation. The two young directors, Joy Chapman and Owen Smith, represent a group of actors, directors, and cinematographers all over the country that never show up in New York or Hollywood.
The only way that Hollywood ever skews toward liberal is because part of what we make out of Hollywood involves writers, actors, directors, musicians, set designers, and photographers. In general, people like that are going to be more progressive, more open minded, a little more altruistic.
I think that there are a lot of male writers and directors in Hollywood, and a lot of the female characters you do see are really one-dimensional, but I think that's changing more and more as there are more women taking control in Hollywood.
Hollywood's best producers and directors are in film, not TV.
It felt amazing to be one of a handful working female directors in Hollywood.
When I was a Hollywood press agent, I learned how the Hollywood casting system worked. There was a roster of actors who were always perfect as doctors or lawyers or laborers, and the directors just picked the types they needed and stuffed them into film after film. I do the same [with my characters], book after book.
Unfortunately, in Hollywood, there are those directors that have some contempt for actors. We've all experienced that, in one way or another.
So many directors are solely focused on their own success in Hollywood and multimillion dollar budgets and deals.
Because of 'The Birds' and 'Marnie' I was, as the expression goes, hot in Hollywood and producers and directors wanted to hire me.
Overseas directors who want to work in Hollywood, the language barrier is not a problem. With the right talent, any director can be successful.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
I think the press is doing a wonderful job of putting the pressure on the decision-makers in Hollywood to support more female directors.
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