A Quote by Penelope Spheeris

Nobody wanted to touch Decline III when they found out what it was about. — © Penelope Spheeris
Nobody wanted to touch Decline III when they found out what it was about.
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
We scientists can argue forever about important topics like slightly different flavors of vanilla ice cream. Consider the silliness of this debate: one group of scientists found a 90% decline of big fish and criticized fishery management. Some other scientists found an 80% decline and started a big argument with the 90% people. Who cares if it's 80% or 90%? The real question is whether it's OK to let fishermen take most of the big fish out of our oceans.
Most of the most successful films Blumhouse has made have been rejected by everyone else. No one wanted to make 'Get Out.' Nobody. Nobody wanted to make 'The Purge.' I think it was floating around for three years before it came to us. Nobody wanted to make 'The Gift,' when it was a script called 'Weirdo.'
Decline III, I funded myself, from the studio money. That, and I sold a lot of drugs. Kidding. Don't print that.
I wanted to play my original music, but it was really hard because a lot of the people who would come out to the shows found out about me through 'The Voice' and wanted to hear covers.
You can't pretend there has ever been anyone come close to doing what I did. Nobody you could name could touch me, and I'm talking about nobody who's around now, nobody who was around in my prime, and nobody who was around any time you can mention outta your mouth.
In film school, I knew I wanted to be a director, but I found out pretty damn quickly that nobody was just going to hand me a script to direct.
I got real bored in '96. Wasn't nobody to fight. Nothing to look forward to. That's when I started playing basketball again. Had I not started playing basketball, my boxing career would have failed. But I went from a sport where nobody could touch me to another where I couldn't touch nobody.
I wanted to write a book about two women falling in love that wasn't hinged on tragedy or that involved some horrible identity-based misfortune. I wanted to write a pretty standard romantic comedy where nobody dies, nobody gets hurt, nobody gets sick.
Now, I'll tell you something that might interest you. Casino Royale was the first Bond book that Ian Fleming ever wrote. And he couldn't get anybody to touch it, to publish it - he couldn't do anything about it at all. Nobody wanted to know.
Nobody could catch cold by the sea; nobody wanted appetite by the sea; nobody wanted spirits; nobody wanted strength. Sea air was healing, softening, relaxing - fortifying and bracing - seemingly just as was wanted - sometimes one, sometimes the other. If the sea breeze failed, the seabath was the certain corrective; and where bathing disagreed, the sea air alone was evidently designed by nature for the cure.
Appropriation is a fact of life; no point in complaining about it. But if that's the way the game's being played, let's do it on both sides. I don't want some white guy making 'A Rage in Harlem III' if I can't do 'The Godfather V' or 'E.T. III.'
Ever since I was a kid, I've wanted to set a time that nobody can touch for many years.
My theories explain, but cannot slow the decline of a great civilization. I set out to be a reformer, but only became the historian of decline.
I wanted to be a veterinarian for about a week of my life when I was a kid. But I found out about the whole euthanasia thing and I said, I can't commit to that, sorry!
Assure thee, if I do vow a friendship, I'll perform it to the last article." --Othello, Act III, Scene iii
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