A Quote by Penny Jordan

I chose to write the kind of romance I love best - one with a sheikh hero. — © Penny Jordan
I chose to write the kind of romance I love best - one with a sheikh hero.
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
I write romance because I love to read romance.
When you accept your imperfections-and still are willing to brush yourself off and start again-you can make changes...for you are on a heroic journey of the heart. To me this is the best kind of hero. The kind of hero I strive to be.
Story writers say that love is concerned only with young people, and the excitement and glamour of romance end at the altar. How blind they are. The best romance is inside marriage; the finest love stories come after the wedding, not before.
The hero of a mainstream stand-alone novel can get by with things the hero of a sweet traditional category romance wouldn't dream of doing.
History is my passion. So I write what I love to read. I find that if I combine history with a strong, sensual romance, it is like a one-two punch. The reader doesn't want the history without the romance, and of course the heavier the history, the more it has to be leavened with a sensual, all-consuming love story.
The damaged wealthy hero is actually a hugely common trope in romance, and alpha heroes are very common in romance.
It's around midnight. After I left Dad, my choice was to either become very drunk or write this. I chose to write this. It felt kind of now-or-never for me.
I can't imagine a romance novel published today where the hero rapes the heroine and she falls in love with him.
I can't seem to help writing love stories. I definitely crave romance. When I was young, I craved romance in books, but I didn't want to read just romance - love plays such a big part in our lives, it shouldn't be cut out and restricted to its own fiction.
I would like Albert Brooks to have received the Oscars for best actor, best director and best screenplay for 'Modern Romance.' I love that movie.
I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
The Good News borne by our risen Messiah who chose not one race, who chose not one country, who chose not one language, who chose not one tribe, who chose all of humankind!
I thought why not write a kind of mystery, murder, thriller book, but use romance language where the language plays completely against the very dark subject matter, that very strange murderous plot, but use that Harlequin Romance language.
I don't write the kind of 'happily ever after' that romance readers enjoy.
Because I work so much, people think that I have a team writing for me, but that's not why I chose to write music for films. I chose to write music because I like to write music. So every single note that comes out of my studio is written by me, and I wouldn't be able to do two movies at the same time.
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