A Quote by Penny Lancaster
Rod's always opening doors for me, but I usually tell him to walk through first. Otherwise, if we're at a restaurant and I'm in front, the paparazzi end up getting a big giant close-up of me, and then he's trailing behind, looking like my little child!
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My greatest influence is Jimi Hendrix, and if he's been reincarnated, or if he's looking down, sideways, or looking up, I just wanted to tell him that I love him and thank him for opening doors for me. I just wanted to make it beautiful for him.
Afraid? Batman's not afraid of anything. It's me. I'm afraid. I'm afraid that The Joker may be right about me. Sometimes…I question the rationality of my actions. And I’m afraid that when I walk through those asylum gates... when I walk into Arkham and the doors close behind me... it’ll be just like coming home.
You may not realize initially how many other opportunities are wrapped up inside the first one. After you go through the first door, you'll then discover more doors automatically opening behind that one. One door leads you to another door, which leads to another door, and so one. It's like ten other boxes packed inside one box. The initial door that God opens is your access to more opportunities. But you must be willing to walk through the first one to get to the other good things God has for you.
I was on set [Romeo + Juliet] maybe an hour for two days. It was in this big cathedral in Mexico City. I just remember being up there in the balcony, and it was myself up front and there was a choir behind me. In front of me was this rail, like this cement rail, and I was like, "Oh my gosh!" Because I was a kid then, and I'm like, "We're kinda high ... I hope I don't flip over," because I'm very clumsy.
I was first inspired to make music by my cousin Oran. He was making music on an old Mac II by himself in his little lab, and I just started taking up after him. He was the first person to put a machine in front of me to work on. He was like my big brother, someone who I looked up to.
It's always a problem, getting the curtain in at the end of the first act; having enough of a resolve so that you can bring the curtain in and then opening the show a second time is a little bizarre as a tradition. I've always preferred to go straight through.
As a child, I always enjoyed - my parents used to have these little cocktail parties - and I always loved trying to get the adults to tell me things they weren't supposed to say. And in many ways, that's what my job is today; it's getting people to tell me things that they probably are otherwise not supposed to say.
I came to running late. It was something I had always wanted to do, but I always end up getting hurt. It didn't occur to me that I could actually slow down and walk a little bit!
Holly clambered after him, struggling up the human-size steps. "Wait! Just wait," she called, overtaking Artemis and looking him in the eye from one step up. "I know you, Artemis. You like to play your genius card close to your chest until the big reveal. And that's worked out for us so far. But this time you need to let me in. I can help. So, tell me the truth, do you have a plan?" Artemis met his friend's gaze and lied to her face. "No," he said. "No plan.
Rich always wanted to be so close that it freaked me out. I always thought it was weak of him that he liked me so much, but then I realized that he was strong to put up with me and stay with me when I kept trying to push him away.
Growing up, I wanted to be a musician. My mother, in typical Filipino-mom fashion, would always make me go up in front of people at parties to sing. Back then, as a kid, I was mortified. In retrospect, I see that doing that as a child helped me get over my fear of being in front of people.
While I had no intention of ending the series after 'The Spellmans Strike Again,' I did close many doors in that book and, with the fifth one, I was opening a lot of doors and not finding anything behind them and then opening another door and another until I found something. It was a while before I found my stride.
I grew up with a family that kind of always took care of me. They were always doting over me and I was always like a helpless little child. I think it's been a really big learning experience to be on my own and realize I can conquer things without having someone rescue me.
Rituals are important. I get up. I take the dogs on a walk around to the front and then I pick up the papers. Then I walk around to the front door, then me and the two dogs come in the house and I give them treats. I make coffee. It's the regularity of these kinds of rituals that I find deeply satisfying.
People always complain that superhero movies end with a big fight scene where they're tearing up a city, and there's a portal opening up, and they have to close it... I wanted to have a climactic scene that subverted those familiar ideas.
There were little Charlie Chaplins that you would wind up, and they would walk. I remember vividly. I was sitting in the high chair with the little tray in front of me. My parents would wind it up, and it would walk to me.
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