A Quote by Pete Docter
So this idea of moving seemed like a good way to sort of represent that metaphorically. It also is something for me personally. When I was in fifth grade - so about 11 - my folks moved us to Denmark.
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When I was in fifth grade - so, about 11 - my folks moved us to Denmark. And so not only did I have all new friends and all new surroundings, I didn't even understand what they were talking about, which was very difficult and kind of started me, I think, on my path to animation.
And I wanted to do a movie [Moonrise Kingdom] about a childhood romance - a very powerful experience of childhood romance. About what it's like to just be blindsided, when you're in fifth grade or sixth grade, by these kinds of feelings. Along the way, I sort of mixed in some interest in "young adult fantasy" writing.
I almost flunked first grade and also the second, third, forth, and fifth; but my younger brother was in the grade behind me and he was a brain and nobody wanted to have me be in the same grade as him, so they kept passing me. I never learned how to spell, graduated from eighth grade counting on my fingers to do simple addition, and in general was not a resounding academic success.
Yeah, we were looking for a way to represent adulthood and the passing into adulthood. And I think, for me personally and a lot of the folks that I work with, childhood is kind of a sacred, special kind of point in time that has a real joy and purity to it. And we sort of long on a daily basis to reach back and kind of grab onto that in some way.
My mom actually taught fifth grade, so... I'm good with fifth graders. That's, like, my specialty.
When I first saw Destiny's Child, I was in the fifth grade, and it made me want to sing and make music, and there would be these freestyles on the radio for what seemed like hours; it was just so cool to me.
I never had the idea of moving to Paris and becoming something. I liked the idea of living in Paris because it seemed to have so many parts of life I really enjoyed. The people there seemed to prize literature and art, food and drinking, a more hedonistic way of living.
I was born in New York but as a baby moved to Venezuela and Argentina. I've also lived in Denmark, where my father's from. I've traveled a lot, and having that sort of background probably increased the chance that I was going to remain curious as an adult about people who are different.
When I first saw Destiny's Child, I was in the fifth grade, and it made me want to sing and make music and there would be these freestyles on the radio for what seemed like hours, it was just so cool to me. So all of these influences and these styles started to blend together. Eventually, that evolved into me finding the indie scene in Houston. When I was 19, I joined a rock band, and that's when I began to say, "Okay, this is something that I could take seriously."
I was part of the Atlanta Boy Choir probably like fourth and fifth grade. I personally didn't enjoy the type of music that we were doing. I was more into like whatever was on Disney Channel and Nickelodeon.
We believe that almost all really good investment records will involve relatively little diversification. The basic idea that it was hard to find good investments and that you wanted to be in good investments, and therefore, you'd just find a few of them that you knew a lot about and concentrate on those seemed to me such an obviously good idea. And indeed, it's proven to be an obviously good idea. Yet 98% of the investing world doesn't follow it. That's been good for us.
I moved to the States, and that was a big thing for me. I moved to Miami, and I joined the Blackzilians. For me at the time, it seemed like the best logical solution, but sometimes surrounding yourself with new people is not good.
Everybody either wanted to take care of me or push me around, you know? I was teased a lot, sure I was, of course. Fourth grade, fifth grade, sixth grade, everybody was taking their spurts except me. I was not growing up.
It was my fifth grade teacher who introduced the idea that writing could be more than a hobby for me.
I wanted to explore cancer not just biologically, but metaphorically. The idea that tuberculosis in the 19th century possessed the same kind of frightening and decaying quality was very interesting to me, and it seemed that one could explore the idea that every age defined its own illness.
I did my first play in fifth grade. This same fifth grade teacher asked me several years later what I wanted to do when I grew up. I knew the most fun I'd had was doing the play in her class, so when I told her that, she began to take me to local theater auditions and became my mentor and friend, and to this day continues to be.
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